Johnny Borrell Leaves Audience Speechless

This content featured in a September 2015 issue of Popbitch.com

I was on my ‘two hours to go’ wind down at work this Thursday when a tweet appeared in my feed about Johnny Borrell launching his new single up the road at Dalston’s Passing Clouds.

Razorlight has always been a bit of a guilty pleasure of mine, up there with still occasionally dining on the stray packet of Angel Delight from the back of the cupboard, so I copy and pasted my plan to attend, sending it to about 25 of my local friends.

Of the two people that replied to my invite, one had no idea who Johnny Borrell or Razorlight are and the other said he’d love to but likes the venue too much and wouldn’t want to taint future visits there.

I thought the apathy was fair enough considering Borrell’s knack for making people disinterested, but I like to see the good in everyone. For instance, I enjoyed both Johnny Borrell and Carl Barat’s first solo albums. Throw the fact that I write a terrible poetry blog into the mix and I’m the perfect recipe for one of the few that was shameless enough to head for the show.

On my train journey up I flicked through an Evening Standard that mentioned a big Libertines tour and chuckled remembering Borrell’s plea that Pete Doherty ‘Don’t Go Back To Dalston’. Then I focused my mind on what I might be walking into.

Would the band include all the terrible saxophone of Borrell 1?

Was the white jeans and t-shirt going to make an appearance?

What about the swirly moustache and pirate hat?

Amateurishly, I’d set off way too early and arrived to a near empty venue besides a small group who were given free entry for producing sketches of mandala symbols. I’d seen this method of payment mentioned in that tweet earlier on, but am not into felt tip colouring in so opted to pay a fiver.

After half an hour of mindlessly swiping my finger up and down my phone screen to refresh a flood of vacuous news items, I was tapped on the shoulder by a lady in her mid-thirties who was clearly alone.

Initially I welcomed the company to kill time but it soon transpired she was wired on something Ketamine like. During the support band’s set, she shouted at me that she thought its lead singer looked like a homeless tramp, just as the music stopped entirely.

The whole crowd, now of around 100, turned around and looked judgmental to say the least. I headed to the toilet to hide but there was only one cubicle and it felt mean denying the 40 year old man I’d seen sniff his way in and out of it another line.

When Johnny Borrell and his band, named Zazou after a French WW2 subculture appeared, they played the same very quiet loop for a good fifteen minutes as the crowd became increasingly restless. The crazy girl I’d been cornered with earlier had loudly made new friends across the way and their talking was visibly getting to poor Borrell.

Eventually he stepped to the microphone and uttered ‘Focus’ a couple of times, before rambling through a disapproval towards people talking and looking at their phones. We were told things wouldn’t get started until there was complete silence for ten seconds. Greedily, this was increased to twenty once it had finally been achieved. At one point Borrell threw a microphone to a loud punter who broke into Whole Lotta Love and generated by far the biggest cheer of the night.

In the couple of moments I wasn’t consumed by the awkwardness of a lead singer with sensitive hearing and room full of loud, intoxicated audience members, I noted the out of the ordinary makeup of the band; a young saxophonist dressed in a Blues Brothers costume, an up in the clouds violinist and a Hare Krishna monk sat crossed legged amongst various bongos. They were definitely tight and had some nice rhythms, accompanied by no less than five different guitars Borrell switched between and the worst gig atmosphere I’ve ever experienced.

By about song five, Borrell seemed all out of puff and patience, exchanging bemused looks with his band members as the crowd, perhaps lost beyond the point of return following the opening 15 minutes lesson in being silent, continued talking loudly. Borrell announced they were stopping for a break, at which point almost everyone filed off the dance floor.

I’d seen enough of the spectacle I very much expected and didn’t return for the second half of the gig, if it ever happened, because it wouldn’t have been worth missing the last train and having to deal with night buses for.

The pain free journey gave me some time to ponder; is Johnny Borrell the Andy Kaufman of has-been rock, with a Kanye-like genius for trolling his public and having the last, lone laugh to himself? Or, planned or otherwise, is he simply one of the most unlikeable people on Earth that can’t help but offend and seem a dick?

Either way, it’s all a little bitter sweet. His voice is as strong and distinctive as it ever was, he’s a solid guitarist and amongst the pretentious lyrics you’ll find great snippets of the memorable lyricism that was all over the first two Razorlight outings.

The day after the gig, I searched Google and Twitter for any reviews or mentions of the show but didn’t find one. That there’s no bad press about yet another Borrell incident suggests more so than ever, the magazines and blogs just don’t care. This time round, possibly, Borrell cares just as little.

The Facebook Cull

This weekend I did one of my bi-yearly spontaneous Facebook culls and disconnected from about 20 users that I hadn’t seen or spoken to for a good few months.

The 20 were made up of distant acquaintances from jobs I’ve left years ago, old drinking buddies I’ve not heard from in a long time and dare I say it, present day colleagues that I barely work or talk with at all.

I know it’s very unlikely that anyone connected to my Facebook account will crawl through it and browse even my profile, but the idea that someone barely a part of my present day life, if at all, could in theory check up on what I’m up to rather than pick up a phone, drop an e-mail or God forbid meet up with me in person doesn’t seem right. They’re incredibly unlikely to do that, but in principle they shouldn’t be able to. Be an active part of my life or don’t.

I told someone about the cull who suggested that this occasional social clean-up will mean I’ll end up with few long term friends, which isn’t the case at all. My oldest and best friend doesn’t use Facebook; he’s only just upgraded from a Nokia 3210. He moved to Australia in August but we’ve been speaking to each other by phone, e-mail and Skype more than we ever did whilst living two blocks away from each other. If the friendship’s a real one, it will survive all sorts of situations, especially the absence of a virtual playground for vanity and snooping. Without getting too spiritual about the whole thing, life’s about real world connections which digital should complement, support and enhance, not provide the only space for them to exist in.

Another person who heard about my cull and that it featured work colleagues was surprised at what she called my ‘ruthlessness’, suggesting that unless you make friends on Facebook with people in the office, you’ll never become friends with them properly and your social circles will eventually shrink until you’re old and lonely. It would be interesting to see how she uses Facebook beyond connecting with any and every one she can, because nobody I know has properly used Facebook Events and Invitations since about 2003.

In terms of connecting with people in the professional environment, I’ve done this loads but only after many out of office activities, be it in the pub, sport or music events. My closest friends and current house mates were all found at different paragraphs of my CV. Once there was a genuine relationship, we ended up Facebook friends, able to exchange messages or content to organise and entertain, and share photos and videos of real world events just gone.

Perhaps I’m out of date and way too fussy about the whole thing, though a recent article that did the rounds by a teenager describing their attitudes to different platforms suggests I’m not just being an old grump. They described Facebook as ‘an awkward dinner party that’s hard to leave.

I imagine anyone reading this is wondering why I don’t just leave Facebook and stop fluctuating everyone’s ‘Friends’ count, but like the teenage writer finds, so many people are on there and it’s a very handy way of trading private messages about dinner party plans or household shopping trips.

Readers may also wonder why after a few culls I even end up with people to eventually axe. It’s a fair point as I’m part of the problem, not wanting to say ‘No’ or hit ‘Ignore’ when the requests come through and even less happy about bumping in to people I’ve culled at parties after not seeing them for over half a year. It’s amazing how aware some people are that they’ve been chopped, and how publicly they seek an answer; but that’s another blog post for some other time.

Social media rant aside, I should state that social networking is an incredible utility and force, helping people to connect with one another, find and provide entertainment and in numerous instances come together and cause real change, which perhaps is where my habit of de-friending is rooted. I love social. It’s found me close friends, cohabitants, my partner and a career.

I see and get so much value in it that I’ve no time for digital deadwood and vacuous ‘Likes’ from near strangers of the past who I can’t now name the children of, which should never ever constitute keeping in touch or replace eye to eye engagement.

Thinking In Tweets

Caught up creating a digital picture of how they’d like to be seen, social media users often use the likes of Facebook, Twitter and now Pinterest, not for one of its beautiful original benefits; informing and sharing, but merely for broadcasting and manipulating.

Too often, users simply create updates on their profiles to try and align themselves with a product or personality, be it a £200 designer belt or a guy who’s released an album of music made by tapping spoons on his breakfast table that he recorded through a toilet roll inner. Whether it’s a check in at a renowned restaurant or a photo upload of a concert crowd, the ego driven intentions remain.

And everyone’s guilty of it, whether it’s the five tweets a breath addict or the person behind a blog post like this one, transparently trying to disassociate himself with such vanity! Egotism is what separates man from cattle and is as inevitable and incredible as sunshine, but we do have numerous grades of sun block to deter burning. And cattle need nudging into the right fields.

When self absorbed social noise is digested, the author’s (assumed) aims are increasingly missed, by me at least for now, having been away from a computer screen for three weeks on holiday. A break like that violently emphasises the triviality of most noise I’d been consuming.

I haven’t been finishing reading people’s thought yawns and thinking ‘wow, this guy has style’ or ‘now that’s what you call being on the pulse of contemporary music.’ I’ve been internalising a loud ‘fucking try hard!’ scream at my laptop, getting jealous of the author’s clear abundance of spare time and moving on to more informative, stimulating content.

Attempts of identity through association is one aspect of social media becoming increasingly apparent as it continues to penetrate the mainstream. Since Twitter has grown from its humble (and more useful, enjoyable) days when it was largely used by news agencies and commentators, new users have subtly slipped into a mind state of self appointed stardom where they unknowingly start considering themselves a celebrity/brand/product themselves that – surely! – the whole world wants to read the every finger nail biting, arse scratching, fart passing tweet of. Of course, social media usage aside, this is reflective of wider changes in the nation’s ‘Living the dream’ X Factor imprisoned identity.

A day in to my three weeks of digital detox, on a long walk between beaches and bays on a coastline, I found myself thinking in tweets. I’d been using my social media accounts on such a close, regular basis that when I’d walked 14 kilometres away from my hostel only for a thunder storm to surprisingly leave me stranded, I didn’t at first think about finding a bus or taxi to safety. I thought to myself the ‘Oh dear. Stranded in a storm. Should have packed my umbrella, ha!’ words I would have tweeted if I’d not turned off my data roaming. For someone with a fond love of elegant, thoughtful phrases of language, thinking in short and choppy snippets like that is obviously a little alarming – and mental.

Several further days isolated, freed, from the constant brain flood of ego tickles by the people I’d been following and those of my own, I started feeling a sense of liberation. I’d be exploring a park, museum or dining with friends and not feel tied to my handheld device to keep up with ‘buzz’ that now seems to hold less merit than my kitchen fridge’s hum. Previously, it had been ‘God forbid if I don’t find out what so and so is eating for breakfast’. It became ‘Who gives a flying fuck?’.

Forgive the cringeworthy self help terminology, but I’d somewhat become ‘awakened’ or at least reminded as to who I was and what I thought or felt beneath the distracting fuzz of empty detail. Disconnected from the penetrative onslaught of nothingness, I had more space to make reflections, form solid opinions and relax, or if you liked the self help shit, ‘just be’. For an introvert who sometimes struggles socially, switching off helped me to switch on and exercise a personality so much harder to feel, develop or sustain when plugged in to a virtual one that runs at a higher, less pure voltage.

The most charismatic, inspiring people I’m friends with spend little, if any time, building up a digital persona. My favourite musicians, film stars and writers are so because they aren’t on chat shows every afternoon or in my inbox or news feeds fifty times a day. Their output is less frequent and richer for it because there’s more intrigue.

To the 30 odd real life friends I’ve recently unsubscribed from, it’s not that I don’t care about you. It’s because I do. Communication in person shouldn’t be a repetition of something I already know because you published it in an intangible arena. What’s the point in talking to someone when you know what they’ve got to say already?

Working at a digital marketing agency as a Social Media Manager and having ‘anti social media’ thoughts like these sets up a stage for conflict, but the disdain is towards how social media is used by certain people, not social media itself. My respect and love for social media remains.

I’m in a long distance relationship that began on a dating site and would be much more difficult without Facebook, Skype and the like. Keeping up with the niche underground hiphop music I adore would seem impossible. Sharing holiday photos with relatives would become a more long winded and expensive process. Keeping abreast of current affairs and sports results would only be possible in one hour television news broadcasts at the end of the day. I’d find it harder to discover new, highly regarded places to eat, drink and travel. *Insert the many other benefits of technology here*.

I just wish for the impossible, that people, if they really must consider themselves as a brand, do what brands do and run content through ‘usefulness/entertainment factor’ filters before sounding off. Then, just occasionally, Twitter’s top trends might be reflective of what’s going on in the world again, not how much better Harry from One Direction’s new haircut might be.

In terms of brands, the abundance of triviality in many people’s inboxes, news feeds and palms of hands emphasises the ever present and not nearly exhausted enough point; content is king. It’s everything and always has been. Brands and agencies have the time and resources that average Joe doesn’t to create incredible content. Create a solid identity positioned around a focused point of shared interest and serve useful, entertaining content around that. Your desired audience will come and will stay.

Orchestrated persona in this article:

I’m really cool and worldly, having walked bays, beaches an’ all.
I’m really dedicated to my other half.
I’m totally settling back into day to day life following my holiday.

My newly cleansed Twitter channel includes:

@ComicBookGuy – My favourite character from The Simpsons who regularly gives me a chuckle.
@WappingLondon – Cute updates about an area local to me.
@kanyewest – A rapper I’m a fan of who regularly entertains and talks about his creative process.
@MarsCuriosity – Who doesn’t want tweets from space?
@Prefixmag – Humble, informative music news site.

Where I’m @ with location.

A less waffly version of these thought crumbs features on the Outside Line blog

I check in regularly via Foursquare which updates my Twitter feed. I find it a quick and useful way to share somewhere interesting I’ve attended with my real life friends that I chat with via tweets. I favour Foursquare and its automatic updates to Twitter rather than Facebook Places and updates to my profile’s wall because I like the light entertainment of badges and points, find my iPhone’s Facebook app a little unwelcoming and occasionally enjoy browsing Foursquare’s user generated tips.

You wont see me shouting about being at the local takeaway in the early hours or sitting on a park bench, but you’ll find me putting my virtual flag in the digital ground of interesting gigs, museums and great restaurants or bars. When I get back into work after the weekend or catch up in person with friends that follow me online, location has proved to be a catalyst for conversation. ‘I saw you checked out that new bar the other night…’, ‘How was that new band you watched?’ and so on. Cynics will challenge the benefit of that over just starting a conversation from scratch in person and have a point, but they’re also some of the same people who said Facebook status updates would never take off and were pointless because people like being private and wont feel inclined to broadcast their thoughts.

Ultimately, social media activity’s often about showing off. People using location treat it as another outlet to present themselves through in a way they’d like to be seen. I want people to see that I went to a Rakim show this month so they associate me a little more with decent, historic rap music and knowledge. So I checked in at the gig. I don’t want people to know I munched through an all you can eat buffet at Pizza Hut because I’’m a bit ashamed and would rather people not know I’m unhealthy and live off grease from time to time. So the phone stayed in my pocket.

In terms of what location can offer brands, I think this will increase with time and new developments in tools and functionality. At the moment, location’s a fairly separate aspect to social media activity, homed in its entirety on a lone platform (Foursquare) or a little hidden in iPhone app tabs and busy news feeds (Facebook Places). If Facebook were to put a leader board at the top of every user’s profile page showing the places they’ve visited the most or most recently, there would suddenly be a permanent, prominent place for a brand’s name to be championed to a user’s private network. I think that’s when critical mass will pick up location more and people’s inclination to check in at locations will increase. Then brands can start promoting themselves to more people at a louder volume.

Spirit levels.

In 2006 I began work as Site Editor for a large online gambling company in the UK. It was a great company to join at the age of 22 for my first serious job. The number of free parties and streams of booze from countless open bars were a great kick in the arse to make new friends and move from my parent’s house in High Barnet to Central London. I also gained a wealth of work experience.

For a year I lived with close friends I met on the job. We slept very little, instead raving around the clock in London’s clubs, parks, house parties and pubs. It was a wonderful exercise in liberation from my very quiet, rarely social life at the end of the Northern Line. Then the fish bowl set up of working, partying and living with the same small set of friends gradually became tiring and claustrophobic. My attendance at parties became infrequent and simultaneously, my closer friend of the bunch and I took to reading about meditation, attending lectures and classes rooted in spirituality. We’d later pretentiously refer to these activities as part of a path.

The superficiality and insincerity of forced smiles and laughs at managerial bar banter to win favour come bonus time felt empty. Our investigations were fulfilling and snowballed rapidly after a traumatic Halloween themed night at Farringdon’s Turnmills night club. Both worse for wear, we spent hours in the staff cloakroom whilst a medic tried pulling my friend out of a Ketamine and Ecstasy induced hole. Defibrillators were on hand incase his heart beat got any faster than the double speed it was working at and came to a stop. We were eventually able to catch a black cab home after he’d woken out of his unresponsive state of inaudible chants. We sat sobbing on my bed, still in our white boiler suit costumes, listening to All You Need Is Love by The Beatles on repeat. The face paint of a David Bowie zig zag was smudged down my face. It was like something straight out of a Hollyoaks special.

Withdrawing further from partying, I took a course in Tibetan buddhism at Kennington’s Jamyang Centre, attended talks at London’s Buddhism Society, practiced lots of yoga and did several detoxes. Meanwhile, my friend had heard on the holistic scene about a lady who used an electric drill like device to vibrate your upper spine behind the neck. This was done so fiercely that it changed the angle of a particular vertebrae, apparently sloped inwards due to alien contact with Earth… Once corrected, the lady claimed patients would have a straighter, more direct route for energy to burst past the third eye chakra to the crown chakra. These were two points said to be prominent locations for spiritual energy in ones body. It sounded farfetched and over the top to me but he got it done. He wasn’t boasting about how much he’d drunk the night before anymore, but still had claims of extremity, just at a different end of the scale.

In early 2007, I got a bonus and travelled India for three weeks, visiting various landmarks of Buddhism. I guess I played mates with the bosses just enough. I did lots of Yoga, read books on Buddhist scripture and attended a week of classes led by the Dalai Lama at the foot of the Himalayas. Whilst in Rishikesh, I often jumped the wall of an abandoned Maharashi Mahesh ashram made famous by The Beatles, to wander around all day writing poetry. The site was full of monkeys, completely silent, colourful with wild bushes of flowers and contained many dozens of crumbled lecture halls and homes. It was incredible, providing me with more genuine peacefulness than, as just one example, a two day intensive course on practicing Reiki that culminated in panting on my knees in a dark mountain hut whilst the teacher dropped loose grapes he’d blessed onto my head, countering my every outward breath with a musical groan. It was half a day into the course, not years of hindsight, when I began doubting the teacher’s authenticity.

Returning to the UK, copywriting to encourage single mums to gamble online didn’t sit well with my newly found, calm and relaxed outlook. I handed in my notice before having a new job to start but luckily moved quickly into a role for an international charity, leading their digital fundraising. At separate times, my friend and I attended a course of 10 weeks in East Dulwich by a South African lady who called herself an energy worker. She’d spend the first half of a session talking with you as if a traditional therapist. The second half of a session involved you laying on a glorified ironing board in a corpse position whilst she made deep breathing noises and whizzed her fingers around in circles above your crutch which she said released energy blockages from your childhood. It was like a frantic form of Reiki.

Those sessions, though somewhat absurd, were pretty useful for me, providing somewhere I could privately discuss my homosexuality and work on telling others about it publicly, something I’d put off for years. They kept me busy for some time. Around the same time, my friend had started reading about Kundalini energy and speaking with a lady in America who called herself a guru to a wide following she communicated with via a Yahoo Group and Youtube channel. I guess the casual nature of the sessions in a quiet suburban house in South London was a bit too pedestrian for his liking.

Before long my friend quit the gambling company job too, took a flight to Seatle and returned with his head shaven and a desire to be called after a character in Indian mythology. Our lease ended, I moved into a new house share and he travelled back to the US to spend more time with the lady. Mutual friends would ring me up, alarmed and confused by the upload of many online videos showing him being unable to speak or focus his eyes; apparently two reactions to Kundalini awakenings. At the time I loyally stuck by my friend who I didn’t want to think of as in trouble or under the influence of someone, so believed the every word of.

Eager to remain close friends with the guy who helped me catch up on the fun that not leaving home to complete my degree robbed me of, I joined the online group. I followed its leader’s online lessons, downloaded her chanting to fall asleep to, maintained the energy diary she required me to keep and kept speaking with my friend via Skype. I also began a relationship. That brought with it more drinking than I’d been doing in a while and lots more social interaction. Gradually my focus on spirituality started fading as I got to know a new group of fun, friendly and balanced people.

After a short time, that relationship came to an end, coinciding with a three week holiday in Kenya I funded with more bonus money from the gambling world. The trip was just after political upheaval in the country and so there were very few people at backpacker hostels to speak to. Besides some amazing sights, the trip is filed in my memory under ‘solitude’ and ‘loneliness’. On my return, my old friend was sleeping on the sofa of my flat which I shared with a mutual friend. I was incredibly happy. I’d got through the dull trip and the person that knew me best was around to help me deal with the heart ache. Only, it wasn’t my best friend. It was an unrecognisable person. On top of breaking up with a fling that seemed a lot more at the time than it was, I also had to deal with the drastic change in my closest friend. He took a matter of fact approach to my moping, dismissing my situation as trivial and not worthy of the attention I gave it. My sense of solitude amplified.

Eventually he moved from my sofa back to his parents which acted as a base for him to become a deputy leader at the online group. He got in touch with friends less and less, travelled various parts of the world to talk to people about his apparent awakening and eventually disappeared. He expressed happiness throughout rare correspondence though as I got over the departure of someone I was very impressionable of, I wondered if it was his trademark stubbornness talking, trying to save him face as he began realising he’d gone too far down his chosen ‘path’ for his own good. He was always incredibly energetic, sociable and adventurous. Surely a life in the lotus position with eyes closed couldn’t contain that for long.

It wasn’t long before I got blocked out of the online group for not maintaining my energy diary, or perhaps not paying its leader a percentage of my wage. My friend had provided her with a widescreen monitor for her computer so was more than in favour. My resentment towards the group had been building with each message board post by people from all corners of the world, hanging on to the leader’s every word. A series of clips were added to her Youtube channel in which new group members of a similar age to my friend, were shaving their heads, deleting their Facebook and e-mail accounts, quitting their jobs and moving away from their families and friends. It was sad to think of those individuals’ best friends and families perhaps experiencing the abandonment I felt of someone they were very fond of or admired.

A group that’s meant to be based in positivity and truth, I thought, couldn’t be a group that transforms a very charismatic, friendly and entertaining young man into an unrecognisable person who’s hard to spend time with and who’s ‘everything is merely energy’ perspective doesn’t allow for friendly small talk, be it about a favourite band’s new release or an attractive new acquaintance, as would routinely be discussed each evening over a beer or in front of the television. Being able to sit in silence with your close friends and families is a healthy practice. Not saying a word at all and sitting sedately staring, much less so.

Another gripe I had with the group was that for a set of people claiming to be distancing themselves from ego and a sense of self, they talked about their selves an awful lot. On his brief return to the UK, my friend spoke of nothing more than his journey and the change he’d undergone. He superiorly contrasted his actions with those of acquaintances still enjoying a harmless pint, smoke, dance or lover. The group leader regularly referred to her past, how hard her struggle was, what a challenge she had overcome and how incredible her life now was. With every ‘I don’t do that because that’s attachment and I am not attached’ and ‘I think that’s not the way. I choose this route’ I heard, the more hypocrisy I felt. I heard ‘I’ more than an optician. Life’s detail and drama didn’t seem abandoned so much as reconfigured into a viewpoint of self importance, elitism and worth. The more their outlook was discussed with conviction, the more group members seemed to be trying to convince themselves, dismissing any counterargument like a child in a back and forth playground fight who covers their ears and starts shouting nonsense because they’re at a loss and can’t respond to a challenge intelligently.

During one of my last exchanges of emails with my friend before his responses altogether stopped, he alluded to his falling out with the group’s leader. For a while he had been spending long lengths of time at homes of her followers around the world. He would offer what he called energy work and guidance in following the practices she promoted as steps towards enlightenment, which he had apparently followed and reached. When I pressed him on why he had left her group, he wouldn’t provide detail but mentioned that there had been a conflict with authority. They had disagreed on how to go about teaching their audience. I couldn’t help but speculate that she felt there was only room for one leader of influence in her group and felt threatened. Power hungry and dictatorially, she probably wanted the head seat and all the adulation and blessings (cash or electronic gifts) solely for herself.

My dismissal of the group and the extreme nature in which it endorsed detachment from day to day details such as fondness towards objects, activities and place, arguments with loved ones or issues at work wasn’t instant. I often questioned if my discomfort with the group was my mind desperately trying to cling on to attachment and forever put obstacles to enlightenment in my course. I wondered if the situation of losing a friend and not having their support was the very manifested mind drama the group said it promoted the avoidance of. To a degree it was, but whilst prolonging mental turmoil seems unhealthy, so too does denying that life is life and with it comes circumstance. I eventually settled on the middle path between two routes that the early introductory books on Buddhism explained way before my stock cupboard of incense and cannon of pub anecdotes got built.

Whilst strange recollections like that of two hour sessions in church halls, on my knees in a queue to look into the eyes of an old Indian lady called Mother Meera for a zap of what her followers claimed to be divine energy amuse me, my short time sitting in circles holding hands, eating Eckhart Tolle books for breakfast, giving away my possessions to charity shops and fasting provides many positive reflections all this time on. I bumped into some lovely people at meditation classes, got more honest about myself to family members, reigned in a very fiery temper and built up much needed self-confidence. When something goes wrong, I’m usually able to put it calmly into perspective in a healthy manner and strike a day to day balance between the recklessness of a nihilistic attitude and indulgence or the debauchery of those early dances of the night.

Whilst it’s great my friend didn’t carry down the route he was going, coughing up blood every morning, skipping nights of sleep and overdosing on drugs, it’s a shame and a waste that he’s isolated from friends and family and only has real company in an ego he’s apparently shed. It’s a blessing that I’m of a fulfilling career and social life. And it’s a fine line between taking incredibly valuable, beneficial lessons or advice from spirituality and taking what you come to understand so literally you entirely self destruct, and that’s not in the enlightened sense.

Wyclef Jean’s Musical Manifesto

When he’s not making genuine and humble bids to become President of Haiti, however laughable that sounds if you’re not familiar with his work there, Wyclef Jean’s busy living out of a guitar case making music that varies from record breaking singles to mix tape obscurities.

Having cemented his name in the history books as the figurehead of the world’s biggest hip-hop group of all time, The Fugees, Jean has gone on to release almost as many solo and collaborative projects as his ex partners in hits making Lauryn Hill and Pras have recorded non Fugees songs.

It would be a lie to paint Jean as a faultless artist. His discography is littered by collaborations with wrestling stars and members of 1990s British boy bands. There are tracks that murder, if not shamelessly mimic, the classics of legends, as well as  over-kill songs of screeching indulgence. For those, the mainstream has turned its back, uninterested in the artist unless his group’s early tracks are remixed into a club’s set. Critics barely bother paying any attention at all.

But whilst commercial success and intrigue has stalled as dramatically as Lauryn Hill’s state of mind, Jean has quietly released regular albums showing much growth in his skills as a musician and producer and approach as a lyricist. Gone are the days of the man clearly feeling the expectation to continually elevate from one gimmicky big hit to another (think It Doesn’t Matter or Pussy Cat). Gone too are hints of confusion in the artist as to where he fits in, such as the trend jumping hijacking on Thug Angels or the pleas for credibility within the hip-hop community that made him such as on The PJs.

Jean has pretty much dropped rapping (in English, his second language), rarely puts out studio covers of rock gems anymore and instead has carved out a varied approach of storytelling, life celebrating, society documenting efforts delivered in a conversational, at peace with itself delivery that sits somewhere between lazy rapping and introverted singing. There are songs about child support, lack of community, road safety and place. Others launch an offensive to get listeners educated on genres outside of hip-hop and pop or simply to have listeners up on their feet having fun.

Hobbies of a has been.

When he’s not making a living on UK television chat shows, pretending to be a great by reeling off anecdotes about brushing shoulders with legends at Motown, Lionel Richie can usually be found releasing horrific contemporary dance versions of his old ‘classics’. Having perhaps finally found these routes to be dead ends, Richie’s new pastime is cashing in on crisp commercials, perhaps to woo Robbie Williams into a collaboration. After all, they’ve been ’playing around’ lots…

Discovering Bowie

I’ve enjoyed Bowie’s music for years and owned the double disc DVD of his Best Of collection for about five. From radio plays during long family drives to my Nan’s house to the occasional music video on TV, he’s always been there on the outskirts of my music radar. I recall my sister getting scared of his role in Labyrinth, a documentary on Linford Christie’s running outfits to a theme tune of Fashion, getting home stoned and tripping out to The Man Who Fell to Earth and reading about Marilyn Manson’s contact lenses tribute during my brief goth phase.

But the artist really catapulted towards the core of my radar this month after a chat with a colleague about how cool the man is. That night I downloaded the CD equivalent of the DVD I’d owned for years and have been immersing myself in the two solid and varied discs every day since, whilst I get dressed for work in the week, stroll over Tower Bridge on my lunch breaks or run the treadmill in the gym.

There are moods for all occasion:

Space Oddity – 101 Hollywood blockbusters and US dramas about extraterrestrials and space later, a strength of this track is it’s ability to challenge the boundaries of imagination, even in the age where everything seems possible, at least when it’s engraved with an Apple logo. A great one to open up the box around your brain in a morning, munching a bowl of corn flakes and bolting a door shut for the day ahead is rarely as inspired.

Modern Love – A happy and bouncy tune that’s ideal for walking out of your office at the end of the day. It’s one of many examples that show how unlike say, Stevie Wonder’s I Just Called To Say I Love You or Paul McCartney’s Give My Regards To Broad Street, Bowie’s 80s output remained current to it’s time without over cheesing it.

China Girl – Another 80s effort that avoids the pitfalls of the decade’s dry drum machines and cold synthesisers thanks to Bowie’s intriguing lyrics and their softly, almost spoken execution, muting the familiar hums of traffic and curry house touts for this number can put a fun, rhythmic, anticipatory and swaggering screen over your walk out to a night of drinks and chatter.

Heroes – When your head’s split in two, you wake up brewing over an argument the night before or have just had a long lay in on a lazy Sunday morning, the goose bumps one listen and welling up eyes of the next that this song can conjure up tells you you’re listening to a pretty special thing. The simplicity of the ostinato, escalating passion and strain of the vocal and statement of the lyric are elements that bread track review acclaims such as ‘life affirming’ and ‘all time classic’.

I’ve always been a little too proud or obsessive to begin exploring an artist’s back catalogue with a greatest hits collection though the Best Of Bowie is a useful tool for an artist of such material and direction. It’s helped me to start digging deeper, from the surprisingly folk collection of his Space Oddity album to the very considered electronic efforts of Low such as Always Crashing In The Same Car.

Digital dreams.

In the first house I lived in we had a video games console that we fed cassette tapes. An educational puzzle game would blink on to the big, bulky TV set’s screen. An Uncle twice my age would set up his childhood console when I visited him at my Nan’s house. It was even more basic. He sat with a pamphlet and inputted code for half an hour before I could play a black and white Ping Pong game that entertained me for hours.

A year or so later, friends were starting to talk about the Sega Megadrive. I’d have a play if I was at theirs for tea but I got more satisfaction out of my Dad’s Commodore Amiga. The way a little green character named Super Frog bounced through medieval, Egyptian, circus and space levels to an upbeat soundtrack was mesmerising, and very gay. The stern bitmap image of a floppy disc on the screen was an exciting event for my sister and I, signifying our success in completing another world of the game and having to enter a new disk.

The Amiga stuck around with us whilst we lived in another house. Friends at this point were bringing Gameboys into the playground, raving about Sonic The Hedgehog and role playing the Mario brothers in school assemblies. I remember one afternoon at school, being sent by the teacher to the classroom next door for the code to access a level of Lemmings that my friends and I couldn’t reach.

The pace, noise and colour overload of more progressive gaming options took a while for me to come around to. I remained content flicking through a chest of pirated floppies my Dad had copied from a friend at work. Lemmings was often in the mix, many a Sunday afternoon would be spent on Street Fighter 2 and once I received a midi compatible Yamaha keyboard for a birthday (the PSS 590 – it still sounds great), I had it wired up to sequence bits of music I could never develop for lack of not having a hard drive or understanding what it was to save. After hours or blocking out squares on a grid and looping sounds together, I powered off and watched my efforts get zapped to the middle of the screen before it went pitch black and fizzed with static that you never hear from modern monitor.

By the time I started secondary school, a weekly IT class was the norm. Windows 95 had changed the world and after some reluctance and no doubt saving, my parents bought the family its first home computer. The Compaq Presario ran on Windows 95 but welcomed users first, to a virtual shopping mall. One shop front would take you to a desktop and start button that confused us for a good couple of months and the other would launch a horrid Compaq impersonation of Microsoft Office. Whilst you ‘stood in the mall’ a horrific recording looped on the virtual Tannoy. ‘Welcome to Compaq Presario Plaza. We hope you enjoy your stay. Where do you want to go?’ would be considered an abstract joke if sold nowadays to a world addicted to smooth user journeys and simplicity.

On that first PC, before months of my life were consumed playing strategy games such as Theme Park and Command and Conquer, filling the entire 2D square of Sim City with buildings was my main focus. A friend came to visit one Saturday and we managed to not leave one pixel of the game’s map uncovered by road, commercial or residential blocks. My Mum wasn’t best pleased with two young kids spending their whole day in a dark, curtained room and we were put on our bikes and sent for a cycle around the block. All we talked about together was what area of the map we’d bulldoze to redevelop. We were obsessed. Just as we were coming back down my road, the friend imagined. ‘It’d be amazing if someone was playing the exact game at the exact time, somewhere else in the world. We could join our cities up!’

600 floppy discs, a Discman, several mini Alba bedroom HiFi systems, trips to central London with friends to play shoot ’em up games across LAN networks in gaming cafes and an old Nokia mobile phone just about able to handle a game of Snakes later, things are obviously rather different. And that’s the true beauty of technology.

It’s come along way and has a limitless way to go. When I took the hour long bus journey home from school I carried a rucksack filled with 5 separate CDs and spent most of the trip swapping them back and forth to hear one song from here and one there. I never dreamt of a wallet size piece of plastic whizzing my record collection of 10,000 tracks up to my ears whilst I sat on a train, booked on a website using a phone that could film, edit and distribute the journey to the entire world in minutes. Technology takes the unimaginable and destroys it with creation.

Eminem’s Recovery

I’ll always be interested in a new Eminem album, ever since his early stuff appealed to my suburban teenage days in High Barnet around the time that I wrote awful raps in notebooks about the people at school I didn’t like.

I’m a huge fan, can roll off most of his lyrics to this day and am quick off the mark to download his latest leaked efforts (before purchasing on release day to keep the collection complete – something few artists have the ability to make me do these days).

When The Marshall Mathers LP dropped and the red tops had a field day over his ecstasy pill (bits of old chewing gum) taking on stage, I was in the audience. When The Times ran a double page spread about his wordplay and his song’s lyrical techniques, I enthusiastically ripped out the page and showed my English Literature teacher. I got hold of and still listen to the pre-major label album Infinite. I can tell you in great detail and passion about how Eminem destroyed the careers of Benzino and Ja Rule and it’s fair to call me a bit of a Stan.

I love the way the words roll off his tongue like no other rapper (I’ve listened to quite a few – www.rapnews.co.uk), his unmatched range of styles in delivery, the sharpness of his one liners and the depths of subject matter he dives to. So enthralled by the thrill it can be to listen to him when he’s on form on album tracks and non released treats on the ‘digital underground’, I unashamedly tell people ‘I’m into Eminem’ regardless of whatever the inevitable sugar coated pop single he’s most recently released might be and how that’s influenced the Radio One listening average Joe’s perception.

The Slim Shady LP had an immensely fresh, cartoon quality. The Marshall Mathers LP is a text book example of creating and playing to a media circus. The Eminem Show showed that there’s more to the cake than an icing of jokes and filling of stunts. Then came Encore, the going through the motions, ‘I’ve got nothing to say right now’ release, an output of various well documented things going on in his life around that time.

With late last year’s Relapse CD, fans were treated to a showcase of what Eminem does best. It had refreshing, non synth soaked beats unlike what many were using (Bagpipes From Baghdad), concept songs (3 AM) and his freshest, hungriest penmanship in years (Underground). Received by his public well, sales and chart positions were good. Encore was forgotten and in twenty tracks, the hiphop world was reminded of who’s the best at it. That said, it was an album that people have referred to as having little playback value.

On Recovery and in its marketing, Eminem discredits Relapse as being good, but not all that, echoing those views that it wasn’t a body of work you can listen to time again, blaming its content. However, the issue wasn’t the content at all – it was the most imaginative, consistently entertaining and varied effort since The Eminem Show.

There were no desperate attempts at humour such as the bathroom sounds from Encore – those sounds were so far from what online communities of fans expected and wanted that upon initial internet leaks, conspiracies formed claiming them to be a record label trick to confuse and deter file sharing ahead of release date though they were no joke.

It was just that Relapse came 12 years after Eminem waked up the universe of MTV with My Name Is that the world domination of ‘The Way I Am‘ and ‘The Real Slim Shady‘ wasn’t repeated. People now know everything there is to know about the man, are accustomed to the horror raps and expect the jokes and jibes at pop stars. Whether Eminem’s going through the motions or doing his greatest work ever, people aren’t going to be as up on it as if it were a debut effort and it’s not going to provide as much impact.

So what of Recovery, besides the rather confusing title and marketing angle that’s all got a bit muddled and confused? Relapse‘s narrative is of a drugs fuelled Eminem though all the press was about how he was clean and was on the straight and narrow. Is Recovery then, a less autobiographical title and more an indication of quality, and does it provide the playback value that the twist of Stan, sickness of Kim and childishness of My Dad’s Gone Crazy provided years prior?

Well for starters, it’s very solid and more along the lines of The Eminem Show than Encore or Relapse with a focus on well rounded songs of chorus and structure, less plotted humour and more statement than story line. It’s a welcome change to hear an Eminem album not dominated by now predictable and dated Dr. Dre beats in favour of something more reflective of what’s happening in the charts (though he’ll do well not to develop Busta Rhymes syndrome and see out his career trying to hook on to whatever is hot). They sound bold and will provide a lot of club and radio coverage.

Then there’s the vocals. There’s a hunger and energy in Eminem’s voice, he’s rapping like he did on Till I Collapse, the faintly Arabic accent of Relapse is gone, there’s a ridiculous pound to the punch that transpires further with each listen and there’s a mix of straight to the point ‘I’m better than you’ rap tracks to those on romance, mind sets and relatives. References to his kids and ex wife immediately grab your attention as would a series premier of a soap opera you’ve been following for years might. For the first time ever, he doesn’t reference his Mother. Heart felt and honest references to his late friend and rap partner Proof are moving.

Not Afraid offers a similar stadium anthem mood to Lose Yourself. No Love features a strong guest spot by Lil Wayne that Eminem feeds off to drop one of his strongest vocals on the CD (similar to how appearing alongside Jay Z saw Eminem record his greatest ever verse) and Rihanna provides a well sequenced reflective vibe over piano and guitar rolls. With each listen, rhymes within rhymes within rhymes become more easily picked up on and the statement that nobody else of Eminem’s stature is doing anything remotely as close to this in terms of skill rings truer.

Several tips of the hat references to Kanye West wet the appetite for what that collaboration could one day offer and will perhaps remind and leave fans wondering as to what became of DJ Premier and Just Blaze link ups spoken vaguely of by involved parties throughout interviews in the past few years. TV and radio show performances with producer Alchemist on DJ duties also raises questions as to why few collaborations have been attempted or surfaced between those two.

So where next for Eminem? With a more stable, settled home life there will be decreasing opportunities to capture listeners imaginations with confessionals such as Cleaning Out My Closet and if there is to be another big personal period of upheaval, would listeners have any thirst left to follow it?

Shuns of engagement with battle tracks by Canibus and Pace Won would suggest competitive tracks aren’t high on Eminem’s agenda and now that Relapse and Recovery have exhausted the ‘I was poorly, now I’m well’ story line, what’s left to be said? Has the glass ceiling of what can be done within hiphop in terms of scale been met?

It’s been a long time since Bob Dylan’s 34 studio albums long career has had a u-turn in creative direction though with each release he gains critical acclaim and pleases fans as he sticks to formulas that he and they both know work best, though that route’s rather contrary to hiphop’s culture of artists aiming to rule charts and strive to maintain mass exposure.

With all things said and done, after their initial catapult to greatness, coked up dips in the middle and re-considered last efforts, Oasis’ own recovery was an apt moment to push out a singles box set and call it a day but again, that model’s not appropriate in hiphop which sooner sees careers halted by gunshot or scandal amongst younger generations of listeners. (It says a lot of Eminem’s career to look beyond hiphop for predictions of his next move).

To elder statesmen of hiphop for another ‘what next?’ possibility, there is of course Jay Z who’s remained current with efforts such as full length studio albums sound tracking movies and albums produced by a who’s who of big beat makers. Another option could be a reincarnation of yester-year’s Bad Meets Evil project with reunited friend Royce Da 5’9. The pair sound good together and the shared alias opens up a new area of concepts and characters to explore.

Regardless of what happens, I’ll be there listening and discussing as that’s the real nugget of Eminem’s act. People connect with what he puts out, for better or worse, and find with him a point of debate and analysis that no other hiphop artist musters and that after over 12 years, shows little sign of quieting down anytime soon.

Technological Penmanship; faster, harder, better.

A Twitter feed and blog is a writer’s friend as it promotes opinion over perspective. It allows an author the liberation from weekly newspaper columns where they’d have to stick to one specialist subject or the categorised fanzine focused on a particular theme.

The Twitter and blogging sphere allows writers with variety, to drift from a poem about their goldfish to a warzone commentary or curry house reviews, enabling the masses not to tune in to topic but subscribe to tone of tongue.

Operating loosely throughout this publishing landscape, a writer’s mandate is to produce gripping sequences of a consistent standard, challenging themselves, evolving their craft to greater heights and providing a stronger service to their audiences.

Swings and Roundabouts

Today began in a near empty Boots pharmacy which routinely deceived me in thinking my shop would be a simple in, out job. Nothing’s ever that straight forward in there and as I approached the counter, a suit from the city leaked in front of my prime position.

‘How can I help you?’ asked a cashier. I held high hopes that the businessman knew what he was after, that it’d be a quick ‘here you go’ and ‘thank you’ routine ahead of a two minute turnaround of my needs. Yeah, right.

The man proceeded to describe a ‘severe’ muscle pain on his shoulder and enquired as to what pain killers he’d need to get through the next couple of days. To be fair to her, the cashier, or was she a nurse – I can never differentiate nor trust, offered something pretty swiftly.

‘Right, and how strong are these? I need to be able to raise my arm this high for a few hours tomorrow.’

As if the nuclear orange tone of his fake tan that I couldn’t help but reposition myself to get a double take on wasn’t shocking enough, what came next was.

In the middle of the shop floor, to an audience now of four more ‘in, out’ optimists turned melt downs, the guy placed his briefcase down, took his jacket off, passed it to the nurse, or was she a cashier – I can never differentiate nor trust, and gave a five minute, repetitive demonstration of the actions that together, comprise a golf swing.

Quite surprised herself, which is saying something for someone that deals with a constant stream of skin troubles and gammy gums each day, the young lady handed back the man’s jacket and presented something from the array of pills behind her. ‘This should do the trick Sir.’

The man studied the tiny print of the small cardboard box for around two minutes, then looked up to the lady now even more eager to take the money and close the deal. He play acted out some pain in reaching into his inside pocket and pulled out a mobile phone come portable office tower.

‘One second. Let me just ring my Physio.’

Cameron, Church Halls and Contrivance

As I’m typing, the BBC’s half way through running the Conservative’s latest party political broadcast creatively entitled ‘Queen’s Speech Response’. David Cameron’s sitting on a train much blurred out, though you can’t help but focus on the annoyingly inauthentic ‘passenger’ (unimaginative press agent) behind him, reading a notepad and checking her phone like an extra straight out of The Thick Of It.

When the fuzzy background gets too much and your dismay returns to his rosy cheeks bordered face, you’ll be forgiven for thinking you’ve accidently switched over to ITV and are watching one of those thirty seconds too long confused.com adverts with the pretend customers talking down their “web cams” about how great the new website is. (They’ve been running for over a year. When does new become old? And since when would anyone have the time or inclination to record an ode to a bloody website?).

That’s because the Tory leader and the ‘Cameron Direct’ road show his package is glossing on about, has to be the most contrived piece of television I’ve seen since a fight in a playground acted out by stage school overflow on Waterloo Road. EG, One of the kids is a pot smoking runaway who’s sold his pit-bull to another kid from the estate in exchange for permission to get his underage girlfriend pregnant. Only, she doesn’t get pregnant but catches herpes that the head teacher then has to hold a school assembly about before rolling credits book end a ‘We’re so young. We’ve got so much to learn’ sickly sweet truce between the two boys.

But I digress, for there aren’t any council estate types in the audience of a ‘Cameron Direct’ town hall happening. A sea of grey haired or bald, middle to elderly aged upper class white people is a truer description, for in all of the 101 ‘I’m not even aware the camera is on me and am solely smiling because of the comfort this man offers’ snap shots, there’s not one person that resembles anything of the typical person in my neighbourhood. You know, someone with their own teeth and hair.

To be as fair as his social circle’s diversity for a minute though, the broadcast does follow the BBC News and precedes The One Show and it’s daily fix of American granny favourites that are thinking ‘What am I doing here?’ as much as the audience are wondering when Emmerdale will be over so they can watch it back on the Sky Plus recording underway, because they got in five minutes late from a game of bowls on the ‘whites only’ green.

Pod Pickle

Every office has a Dolly Smith. You may be a few days into your new job and not be asked to execute brain achingly trivial tasks but believe me, every office has a Dolly Smith.

Just when you think you’re free from being subjected to ‘How do I play this .Doc format movie?’ or ‘I need to upload this web page in landscape’ or ‘Can you show me how to make the printer do a V Lookup?’ requests, she’ll be there.

She’ll be there with her contrived ‘If I talk like this your pity will give me what I need’ voice. You might even witness the long pauses of silence whilst damp hair is twiddled with around useless fingers and chewed up pencil tips.

You’ll stubborn it out for a bit whilst she floats over your shoulder as you try to climb into one of those grey squares on your screen but you’ll never win and she’ll always get what she wants.

You are not safe and you are not free, however far and wide you go to escape. Because every office has a Dolly Smith.

Unsolved Mysteries

Whether a Kenyan slum, Icelandic mountain or Californian airport, tell someone you’re English and it’s not long before they proudly tell you they support Liverpool FC. Their roll call of players is lost on me. Luckily Beatles Mania has had every shop and busker playing the Fab 4 these past three weeks in San Francisco. It’s like they’re a brand new band taking the world by storm for the first time – particularly impressive considering that 50% of the lineup’s dead.

After the typical ‘Who’s your favourite?’ conversation, things have generally gravitated towards a non Brit’s confusion as to why we love Oasis so much. It’s been tough to justify and the best I’ve done is to rank them second in the history of UK bands to Paul and John’s squad. It’s not a comfortable thing to say, for I adore Radiohead and many others too. By the looks of these stranger’s faces, it’s quite tough to hear also.

I quickly change topic slightly and turn the tables by asking why Coldplay and U2 are so popular out here. With that, bus journeys, flights or dinners conveniently beckon and conversations cease. Rock N Roll and attempts at it can sometimes create unexplainable oddities. I’ve yet to deliver a solid enough justification of Noel and Liam’s following, not one explanation of Chris Martin and Bono has ever been attempted and I doubt either case will be closed soon.

Hippy Happiness

As is with the nature of hostels, I woke before seven in the morning at the shakes of my bunk bed because the guy up above seemed sure not to get dressed like the rest of the world with feet on the floor. Thump went my skull against the head rest as he spent what seemed like pointless minutes, sliding into one trouser leg after another. Just when I thought he was through – out came his jumper from a huge backpack which he presumably spooned all night. By the time he was done he’d woken the other two guys in the room as well.

I laid projecting exhausted yawns as if to kindly say ‘Please shut the fuck up’, the sounds of backpackers, lockers, tooth brushes, zips and sandals storming my mind awake. I reluctantly stretched to my toes, threw last night’s clothes over my shoulders and headed for the free breakfast down the hall, taking a leak along the way in a corridor toilet. I’d already been disrupted once by the room share. I certainly wasn’t getting in line for a ‘private’ bathroom to make small talk with the very folk who interrupted my intent. Nor was I going to place myself subjected to the peculiarities of a stranger’s toothbrush and sink routine. Just how many rinses and spits are necessary?

Over toast in the communal kitchen I spoke, or rather, I was spoken to, by a fifty year old lady who gave me a download of her views at every crunch of my bread – barely crispy due to the impatient huffs and puffs of people behind me in the toaster line. Hostels she moaned, used to be free. This one was too regulated. Everything in life is too complicated, she swims three hours up river from her home in the woods each day, VH1 play trash and if Kanye West and Beyonce are going to prance around as they do, they should at least install some high fashion. That girl Pink though, hits her spot.

With a final bite of my snack I politely smiled and left her to continue ranting aloud, reaffirming my observation that most, if not all hippies, be it the phonies or the real deals, have more chips on their shoulders and gripes with the world than they’ve grown dreadlocks, worn bangles or lit joints.

Suddenly the conformity in the sea of average joe hostel goers made more sense. Sure, the lumps of flesh headphoned into their laptops and wired up to head sets and microphones resembled something of a contradiction to the very purpose of a vacation away, their clothes almost matching from one node to another and nothing more controversial than a ‘Where are you from?’ and ‘How long are you here for?’ being exchanged, but they seemed content with their lives having not chosen the tree huggers route of looking first for a negative in any situation and looking or sounding like, well, an unhappy mess. Then again, should impact be the point, who makes the most?