- Vegan cookery courses and foraging weekends away with Saul Williams
- Mowing the lawn and growing vegetables in one of his mansion’s gardens
- Deleting voice messages from Tom Morello
- Laughing therapy to the Audio Slave back catalogue
- Dusting the fireplace’s antique Zapatista ornaments
- Writing a line of lyrics, scribbling it out and then reading Immortal Technique’s blog
- Reading Buddhist teachings on excessiveness and learning to ride a hand made unicycle
- Transferring Rage Against The Machine reunion pay packets to Questlove, DJ Shadow and El-P
- Felt tipping over brand logos in his cupboard and reading biscuit baking recipes
- Ignoring beats posted by Questlove, DJ Shadow and El-P. He doesn’t trust e-mail
Tag: music
Titles of future songs by Alicia Keys
Single & Strong
Lady Of Liberty
Only A Song
Live To See
Head Held High
Mind Over Matter
Run With The Tide
Never Look Back
Look Back And Smile
Keep Growing
President Girl
Love Is Wild
Cloud 9-ty Nine
RevoLOVEtion
Love
Loved
Loving
Lover
Lovers
Lurv
LUV
LUV.U.4.NEVA
Fine By Myself
Good Times Gone
Aching Heart
Splitting Apart
You Are A Dart
Together Again (feat. Swizz Beatz)
?Who ?Why ?When
Breathe And Mend
Chasing Trends (feat. Busta Rhymes)
My Soul’s Den
Love Is Life
Men Are Strife
Heart Carving Knife
Cheater’s Lice
Weeknight drinks.
We mocked the karaoke stars
and then they laughed at us,
before we all danced together
in a drunken, off-pitch fuzz.
Song books and pint glasses
filled our sweaty hands.
An old timer in leather trousers
thought he actually had a band.
Splintering off to train trips home,
alarm clocks began to get set.
A hangover’s route to work
is a journey where energy’s not let.
At projector screens of data,
under an air conditioning’s hum,
began the next set of plans,
to escape the office’s thumb.
Seeing our own friends.

Rap dreams.
- A ten track album by Eminem produced entirely by Kanye West
- Eminem never mentioning his feelings or daughters again
- Lauryn Hill and Wyclef Jean doing a sequel to The Score
- Wyclef Jean doing a sequel to The Carnival where he doesn’t do overkill Bob Marley impressions
- Nas hiring El-P to produce an entire twelve track album
- Killer Mike never rapping on a beat that’s not produced by El-P
- Aesop Rock making sense
- Andre 3000 sacking his Hollywood agent and simply rapping
- Andre 3000 and Big Boi releasing the twelve track Organized Noize album they promised
- Q-Tip following up The Renaissance
- Mos Def paying as much attention to set lists and his solo career as he gives tailored suits and hats
- Rawkus Records relaunching as a fully independent label again
- Pharoahe Monch releasing an album with no soft beats and gospel background vocals
- Ludacris realising his potential and not just releasing another album with 43 interludes
- Dr. Dre creating a secret identity to release his non commercially driven beats so we get to enjoy them
- Dr. Dre operating as an artist and not a brand so we get to hear and enjoy his actual craft
- Jehst and MF Doom collaborating on an EP
- MF Doon and Ghostface Killah releasing their much talked about joint album
- The Wu Tang Clan releasing a scratchy, simple album of unpolished, raw beats
- Dr. Dre simply retiring and confirming that Detox won’t happen so journalists can speculate on something else
- KRS One releasing an album of imaginative tracks rather than how great he is and how long he’s been about
- Outsidaz reforming for an EP featuring Eminem and Rah Digga
- Punchline and Wordsworth reuniting for a boom bap comedy album
- Will.I.Am returning to less chart catering movie soundtracks and solo adventures
- Jurassic 5 reuniting, if only to tour the world and make it smile
- Charli 2na releasing an actual solo album rather than collections of collaborations and remixes
- Plan B forfeiting his record contract and giving it to Task Force
- Roots Manuva never retiring
- David Guetta staying the fuck away from anyone’s favourite rapper
- Someone convincing Busta Rhymes that he isn’t a coke dealing, wife beating gangster but a happy, comical guy
- Dizee Rascal kissing and making up to release an album over grime beats
- DMX giving up crack and burying beaten to death dogs so he can continue releasing wild party jams
- Erick Sermon releasing a full album of tracks each sampling Marvin Gaye vocals
- Zach De La Rocha releasing that solo album produced by DJ Shadow, Questlove and El-P
One long Blur, an ode to PR.
I am haunted by Damon Albarn.
My morning newspapers talk of his breakups.
By evenings, reunion tales ring in my ears.
Tours with old bands but without animations
or new animations with old bands
churn on frame after frame of dullness.
Office people as far removed from edginess
as Leona Lewis in the middle of a moon’s crater
wear crusty year old wristbands of shows long gone.
Friends of a friend’s friends at house parties
corner me for eternities, vomiting out words
of misjudged greatness and importance.
At night I dream of God reaching down,
pulling the roof off his house in the country
and snapping all the medieval instruments
so all that’s left for him to do is go for a drink,
find a girl, make babies and leave us all alone.
I am haunted by Damon Albarn.
Please someone, put him away.
Coming to terms with the past.
I stacked shelves in a supermarket all the way through my A Levels. It was the first time I ever had money and the last time I didn’t have to pay rent and bills. Purchasing things, anything, made me happy. The 307 bus stopped outside my school and drove 45 minutes to Enfield’s HMV. In lunch breaks and instead of bunked lessons, bargain buckets and 3 for 2 deals became my crack.
On Busta Rhymes.
I first heard Busta Rhymes rap on the soundtrack to a film about Muhammed Ali called When We Were Kings. The track was a Fugees single featuring A Tribe Called Quest, John Forte and the energetic top hat wearing rapper. Around that time, MTV UK ran quality shows for RnB and hiphop fans. There was Trevor Nelson’s The Lick and some great, representative magazine style shows on MTV Base. Later on in an evening’s schedule, MTV US shows like The Lyricist Lounge would be aired and I’d stay up late for my hiphop fix.
A BIORhythm special on Busta introduced me to his live guest spot on Tribe’s Scenario and from then on I was hooked. Dangerous hit the top of the UK charts and was soon followed by a series of creative, high budget videos for inventive, gripping songs.
Busta Rhymes albums captured the imaginations of my friends and I for their running themes of conspiracy theory and comedy interlude. There was always lots of filler but without fail, a good handful of really strong singles showcasing Busta’s incredible flows atop unconventional production that stood out from much else. It’s never mattered that the lyrics aren’t always of a strong theme or story because they’re executed in such a way that distracts, in a good way, from any point they might be trying to make.
When Disaster Strikes was a seamless step forward from his initial solo album The Coming. That first outing followed his many years in the group Leaders Of The New School and somewhat mirrored his collective’s old school, underground sound. Extinction Level Event showcased Busta at his most energetic on the breathless Gimme Some More and relentless Iz They Wildin With Us? As the mid 90s era reigns of Puff Daddy, DMX, Jay Z etc grew to quieter phases, Busta Rhymes released the enjoyable Anarchy and whilst all albums since have included brilliant singles and even more supreme remixes of those, the artist’s relevance and critical acclaim has somewhat declined.
A short lived stint on Dr. Dre’s Aftermath label saw the once incredibly entertaining, light hearted and animated artist take a far more serious turn, rapping the narrative of cocaine deals and hood violence, themes Dr. Dre seems to insist his roster rarely strays from. The colourful videos of multicoloured dream coats were quickly replaced by fast cars, naked women and frowns. Things felt a lot less entertaining, sincere and far more contrived.
2007 saw a quick departure from Aftermath to Universal Motown where Back on My B.S. was released, albeit after many delays and a lot of badly planned marketing activity. Promotional interviews showed glimpses of a reinvigorated Busta speaking of a desire to return hiphop to what it once was. Whilst the sentiment was great, the collection of songs didn’t make a lasting impression on charts or commentators.
Whilst the likes of Puff Daddy have now retired from chart success to enjoy huge Twitter followings and reality TV show stints, Busta has continued to keep one toe dipped in the mainstream. Such is his back catalogue and presence, he’s never ceased to be invited by younger artists to appear on their albums and remixes. Every time he’s accepted the offer, he’s shown he’s not to be messed with, contributing efforts that significantly overshadow any other personality involved.
Back catalogue and jaw dropping guest appearances aside, Busta’s continued to hold relevance and respect because of his close friendships and associations. In recent years he’s worked on several tracks with his close friend, the highly regarded Q-Tip. He’s maintained an interest in up and coming artists such as Papoose who he coached to a $1.5 million debut record deal. Whilst it’s far removed from his once envelope pushing early efforts, he works with big club and charting producers such as David Ghetta and Tiesto.
As with many artists so many albums into their recording careers, it’s unlikely that we’ll hear a Busta Rhymes album with the same impact as his earlier projects. We’re now well exposed to his once original, unheard of style and antics. But you can safely expect, whether he jumps on the latest minimalist drums / auto-tune / arab sample etc trend, that for the forceable future he’ll remain some distance ahead of his peers when it comes to being reliable for a effortlessly delivered range of tongue twisting outings.
Here’s a Spotify playlist of big album highlights and guest appearances void of interludes –
http://open.spotify.com/user/teewright/playlist/7wn2eYsp2YB5nreZQTVlvM
Paper clips and croissants.
Another book on heroes,
stenches of vinegar to work,
screens, desks, tea mugs,
where bar dreams lurk
before weekend sketches,
seven pint glasses deep.
The Monday to Friday shuffle
begins atop a hill that’s steep.
Paper clips and croissants,
time sheets plotting the way.
A church choir’s faint murmers
coat streets of an hour’s play
before afternoon rituals
of acronym and jet ink.
Rock n roll babies
aged in a blink.
Critical mass.
Beware the love child of Bruno Mars and Nicole Scherzinger
who’s superpowers could bore you into a Play Doh figurine
sentencing you to a life of regimental choreogra-yawns
should the only cure escape your malleable mind;
a 21st century rarity that many doubt the very existence of,
a Rhianna costume that covers more than a toe’s worth of flesh.
Night in and night in and night in stabbing Twiglets at your face
whilst your arse sits amalgamated to a spongey sofa of crumbs
the one hundred and twenty million percent predictable
fudge of pram babies whaling through contrivance
upon lording scarecrows of bleached teeth and horse tail hair
would thumbprint dependency into your one tone being.
You’d not find that antidote easily beneath Chris Brown’s bed
as deep thirsts for syrupy intakes of meaningless sludge shake
through your dense, airless, squeezed to inconsequence body
that only moves to a corner shop and back as if a puppet
being unstuck and plodded elsewhere to line up silently
fingering through a glossy about the next impeding brain rape.
Beneath the faint, tinny whispers of a freer co-passenger,
across stores to further, non air conditioned, less lit places,
within pages that don’t hatch down the spine
for a hand to burst out of and pull your eyes from their sockets
to point you in the straightest, most generic and plain of paths,
is where the medicine of a dress beyond buttock length lives.
Wash and iron after every outing you dress within it,
sew any rogue threads back into its delicate seams,
store on a hanger so it may rest after a constructive day,
feeling bit by bit, your being not a state of static decay
but an evolving, reforming, mobile, inquisitive organism,
stronger and of more flesh each bold costume outing.
Kudos and the Easy Rinse Formula
I
‘Can I borrow your phone for a minute mate? My battery’s dead.’ asked one eye this way and one eye that, dressed like an extra out of a 2 Tone band from the eighties; his grey, ironed trousers sitting on a bony waist, side parting hair dipping out from beneath a chequered flat cap and a warm, proper London accent you’d be both suspicious and loveable towards.
‘As long as there’s no rushing off, though you’ve been in this queue for a good ten minutes, so I doubt that’d happen, unless you’re really after a new phone or just don’t care about shitting your pants.’ replied Jack, leaning against a wall, in his own sweaty world until the question, feeling a lot more trustworthy than normal on account of the past hour and a half of dance music he’d just raved to.
‘Dad, it’s Charlie. I’m in a bit of a situation here. I got split up from Moog in the crowd and my battery’s dead. What I need you to do is look in the phone book for Moog. Give him a call and tell him I’m at the toilets where we were earlier. If he doesn’t show up, I’ll just go back to the flat. Cheers Dad.’ instructed Charlie with a tone that said everything about his relationship with his Dad come mate, old school practice of keeping paper records of electronic data and commitment to leaving with the person he arrived with.
By this point it was finally Jack’s turn to use a cubicle. He’d favoured the shelter of an inside toilet as opposed to the racks of halve pipes outside, where people had to stand face to face, an inch away from touching each other with their private parts. He did one day festivals for sounds, not splashings.
‘That’s a good effort. I hope you find your friend. Take care.’ said Jack, taking the phone from a smiley, appreciative Charlie.
‘If he rings back and I’m still here, can you give me a shout?’ asked the cockney, 25 at most and clearly nearing the end of his night that by the sight of him, included a lot of dancing in mud, twisting of his preppy clothes and consuming beer, amongst other things.
‘Sure.’ said Jack, taking to a cubicle.
After he’d taken his emergency toilet roll from his back pocket, wiped the toilet seat a good two times, undone his baggy jeans and sat, the lights went out. Sighs bounced between the walls of cubicles, the lights flickered back on before being cut again, everyone sighed some more and so repeated Jack’s call of nature.
It’d been a long wait and a demanding day on Jack’s legs. With that in mind, he took his phone out, sent a few messages and used the solitude of his surroundings to be what a stuck up spa would call relaxation quarters. When the phone buzzed in Jack’s hand and Luke’s face flashed on its screen, Jack pinged out of his daydream and rushed back to the main arena.
II
‘I can’t believe we found each other after you charged away to the front. What a great gig though. Who’d have thought they’d still be doing this so many years on.’ said Jack to Luke as they waited for their train to London Paddington.
‘I can’t believe how long you were in that toilet for. You must have been in a pretty messy state. Still, it looks like we’ve beaten the crowds. Beats me why they’d stay for that last band. They’re certainly not headliner material.’ replied Luke.
After exchanging a few comments about the set of their favourite DJ collective that they’d been counting down to all summer, conversation didn’t dry up so much as take a subdued simmer towards a state of peaceful satisfaction. The two friends had jumped around in excitement on the train up, ripped every other band of the day apart, hanged off each other’s necks in celebration of their near idols arriving on stage and spent four hours in the near dark, circling the festival site, trying to find the right exit.
‘Charlie!’ shouted the usually more reserved Jack.
‘What’s going on? Who’s Charlie?’ asked Luke, opening his eyes from an intense ten minutes of gig recollection and random thoughts such as ‘Are you really inside if there’s a window open?’ and ‘How do those one legged, foldable festival seats hold you up?’
‘It’s that guy we met earlier’ replied Jack, standing up from his seat, squeezing past the knees of Luke and walking with a pace of intent down the carriage isle to the far end where sat a silent group of friends face to face on tabled seating, designed perfectly for co-travellers and horrifically for any solo commute.
‘Can I help you mate?’ asked one of the guys in the group, raising an eyebrow that tucked in under his dark brown cap.
‘Great to see you mate! Did you get a charge?’ inquired Jack.
‘I’m not sure it’ll ever come to that mate. We’ll see I guess… So your final stop’s London? We’re going for some drinks in our local. Care to join?’
By this point, Luke, not recalling having met anyone at the festival, had caught up with Jack, curious as to what his friend was up to, seated with a bunch of trendy strangers, talking as though they were all best friends. Jack had always been more of a gaze out of the window type of guy, quick to implode with passive aggression any time someone as much as walked passed or caught eyes with him.
‘Hi there. Sorry about this. Come on Jack, let’s sit back there and leave these guys to it. We’re almost home.’ replied Luke.
‘It’s okay mate. It’s not a problem with us. You should both come along for a drink. We’re not going much further than Paddington.’ replied the capped stranger.
III
One short stop in Slough, a shared Taxi through Paddington and a skip past Baker Street, the group of friends, Jack and Luke arrived at a pub nearby Great Portland Street tube station. It’d been an unbalanced journey of much silence, left field interjections of conversation from Jack, exercises in damage control by Luke and a textbook cabbie tale.
‘What’s everyone having?’ asked the capped man in the group of strangers. Luke and Jack moved to one side and positioned themselves to buy their own beverages. They’d learned the pitfalls of other people’s generosity on several previous occasions.
‘They seem like a nice bunch.’ suggested Jack.
‘Sure. The drive was pretty strange though. They’re not saying much to each other. Ten minutes in and I was welcoming you putting your foot in it about the tragedy of wearing caps and growing beards.’ replied Luke.
No sooner had everyone been served a drink, the landlord turned towards a dusty, seven tier system of CD trays and buttons, rotated a nozzle and filled the near empty, sorry looking residential road pub with music. The group of friends from the train immediately recognised the song.
‘Are you having a laugh? Time and a place mate. You do know what happened this afternoon?’ asked one of the strangers, dressed in a singlet and revealing two drum sticks in his back pocket as he leaned in towards the landlord over the bar.
No questions were asked but the nozzle was rotated back to where it pointed. The party looked at unease with one another, the landlord consulted his phone’s messages to work out what the guy had meant and Luke ushered Jack to one side.
‘I haven’t seen familiarity between a boozer and landlord like that for years. It’s all ‘help me fund my degree in model village architecture by pouring you shit pints’ these days’ observed Luke, drifting into a head spin about life as an overseas student come flyer pusher by night in London.
IV
By 2 AM, the group of strangers Jack and Luke had arrived with had splintered off to different corners of the pub. The cap-wearing centrepiece had been in deep conversation with the landlord who took him behind the bar and into the back quarters.
Jack had gradually become less scattered in his talking, Luke was less distant in thought and by unnoticeable dribs and drabs, punters were floating in like puzzle pieces on an auntie’s table that never seem to be moving or building towards something until the picture’s suddenly right there.
‘I’ve got to get my hands on some of the tracks the guys played tonight. When it went dark and they came back out to that really nasty beat, I literally went weak at the knees. I became that cliché!’ said Jack excitedly.
‘You literally did. We literally lived that set as much as this pub is literally a pub and our early exit home was literally an escape from a sure bet waste of time.’ replied Luke, speaking as the pair often did with a crossbreed of fact and sarcasm that usually cut short even the keenest of newcomers.
‘You mean Kudos and the Easy Rinse Formula?’ asked an energetic, high-pitched voice of disbelieve.
‘What?’ asked Luke back.
‘KERF! I couldn’t believe it when Harry just threw the guitar in Gary’s face like that. Sinead and me were waiting all day for their set. Never has my brother been so useful. We wouldn’t have found out about this place ourselves!’ said the girl, looking up at the wall of the dated pub as though it was Mecca.
Jack, who’d been starring at his thighs, frowning in confusion, looked up at a lost Luke.
‘Did I get lost on my trail of thought in the toilet block and take a wrong turning at my formula for the best quantity of sliced cheese and tomato sauce in a toasted sandwich?’ he asked.
‘What?’ asked the girl back.
‘KERF! One of them wears a cap right?’ asked Jack.
‘Isn’t it great? He’s like a throwback to that mid nineties series about a 1950s policeman in the countryside. He’s so bold and ironic.’ claimed the girl, reaching for her empty glass that she marched extended by her arm towards the bar for a refill.
V
‘Four hours we walked around that festival site, to avoid those, no, these idiots, and four hours later, we’re in their bloody local with a legion of their devotional, quarter of their age groupies.’ figured Luke, looking at Jack with a headshake of disbelief.
‘So’ said the squeaky, irony-loving girl on her return from the bar. What are your names?’
As the girl moved her arm to hang around Luke’s neck, Luke moved his neck to escape, signalling with his eyes and a nod for Jack to follow him away from the table besides a fruit machine.
‘Just relax mate. I reckon this place will stay open for ages, being tucked away around here. Maybe the mighty KERF! will resurface so we can collect autographs!’ joked Jack.
The two friends had always shied away from the bands that took centre place on music magazine covers and entertainment shows on the television. For the past summer KERF! had not exploded into the mainstream, they’d arrived, blown a multinational’s marketing budget, ripped off a few seventies classics – adding a few layers of computer generated fuzz cultural commentators called ‘an innovation in composition’, and made an absolute fortune, so considered Jack and Luke.
‘O.M.G!’ screamed the girl. ‘It’s Gary! Look, it’s Gary!’
As the girl worked her way through a dictionary of abbreviations, panting heavily and fiddling in her ridiculously sized handbag, presumably for a phone to let everyone know what was happening, the rest of the pub stopped in their conversations, looked towards the door and watched to see what Gary would do.
‘Evening all. I’m not the sort to charge. Enjoy your night.’ announced Gary, moving slowly towards the bar where the landlord stood to pass over a drink that’d already been poured.
‘So, what is the score?’ asked Luke with a sense of surrender about his tone.
‘You don’t know? One song into their set, Harry and Gary exchanged whispers. Before you could chant the first line of ‘Everybody’s Special’, the arm of Harry’s bass guitar was bouncing off the cheek of Gary. Look, it’s still red!’ pointed the girl.
Luke looked around to find his friend who was nowhere to be seen. He stepped outside to search the smoking crowd but nothing. Next on the manhunt were the pub’s toilets, one urinal and one cubicle big. Jack wasn’t in there either, so up the stairs Luke walked, necking the last of his drink.
‘Luke, you know Harry, from the drive here. Pull up a chair. We’re talking about morning radio and how early you have to go on if they’re playing your exclusive’ said Jack, sitting with Harry and the rest of his band, minus Gary.
‘I thought Harry was the guy I met in the toilets earlier who wanted to charge his phone. When I asked about the charge on the train, he thought I meant getting his mate Gary arrested!’ explained Jack enthusiastically.
As Jack tried explaining the crossed wires to Luke, how he’d managed to get them stuck in a pub with a band they left the festival early to avoid, Harry and his group fidgeted and looked uneasy, clearly still feeling raw about the afternoon’s events.
‘Um… I’ve got chatting to that girl from downstairs. I’ll catch up with you in a bit. Let me know before you leave and we can share a cab home’ replied Luke.
Dismayed that his close friend was spending the aftermath of the big calendar event with a lead singer from a band they both despised, Luke moved back down the stairs and fetched another drink at the bar. Sure enough, the girl he’d reluctantly engaged with earlier was still around, by herself, on her phone, trying to chat to any passer by who’d make eye contact about the Harry and Gary incident.
‘She’s a good girl. A bit of hard work at first but her heart’s in the right place. Be gentle’ said Clive, moving slowly and confidently across the pub and passed Luke who’d sat himself on a bar stall.
‘Oh, we’re not…’ replied Luke.
‘Hi again babes!’ greeted the girl, slinging her arm around Luke’s neck.
‘That’s my brother. He works at KERF!’s label. He told me this is where they’d likely be hanging out after today’s non-gig. Let me go and find out if Harry and Gary have spoken yet. B.R.B!’
My Brain On Music
My friend Jenny recently lent me a book called ’This Is Your Brain On Music’ by Daniel Levitan. Whilst I haven’t got round to finishing it, the bits I’ve read are great, putting some science behind what I love.
BBC Lab’s How Musical Are You? does something similar, asking you a series of questions, some with audio, for around half an hour. At the end you get a bunch of results as to how keen you are on music, how daring with it you get and if you’re likely to cry listening to an Anthony and The Johnsons song or not.
For some reason this great tool doesn’t have any share functionality which will disappoint the wealth of internet users out there that love nothing more than to show off about their musical tastes and how great their knowledge is. Luckily my ego knows how to make screenshots of webpages, so here are my results:

Enthusiasm for music – 90%
Music perception – 83%
Emotional connection – 76%
Social creativity – 40%
Musical curiosity – 49%
How well can you tap in time to Lady Gaga? Would you hear the difference if Barry White had been castrated? Find out here.
Wyclef Jean’s Musical Manifesto
When he’s not making genuine and humble bids to become President of Haiti, however laughable that sounds if you’re not familiar with his work there, Wyclef Jean’s busy living out of a guitar case making music that varies from record breaking singles to mix tape obscurities.
Having cemented his name in the history books as the figurehead of the world’s biggest hip-hop group of all time, The Fugees, Jean has gone on to release almost as many solo and collaborative projects as his ex partners in hits making Lauryn Hill and Pras have recorded non Fugees songs.
It would be a lie to paint Jean as a faultless artist. His discography is littered by collaborations with wrestling stars and members of 1990s British boy bands. There are tracks that murder, if not shamelessly mimic, the classics of legends, as well as over-kill songs of screeching indulgence. For those, the mainstream has turned its back, uninterested in the artist unless his group’s early tracks are remixed into a club’s set. Critics barely bother paying any attention at all.
But whilst commercial success and intrigue has stalled as dramatically as Lauryn Hill’s state of mind, Jean has quietly released regular albums showing much growth in his skills as a musician and producer and approach as a lyricist. Gone are the days of the man clearly feeling the expectation to continually elevate from one gimmicky big hit to another (think It Doesn’t Matter or Pussy Cat). Gone too are hints of confusion in the artist as to where he fits in, such as the trend jumping hijacking on Thug Angels or the pleas for credibility within the hip-hop community that made him such as on The PJs.
Jean has pretty much dropped rapping (in English, his second language), rarely puts out studio covers of rock gems anymore and instead has carved out a varied approach of storytelling, life celebrating, society documenting efforts delivered in a conversational, at peace with itself delivery that sits somewhere between lazy rapping and introverted singing. There are songs about child support, lack of community, road safety and place. Others launch an offensive to get listeners educated on genres outside of hip-hop and pop or simply to have listeners up on their feet having fun.
Hobbies of a has been.
When he’s not making a living on UK television chat shows, pretending to be a great by reeling off anecdotes about brushing shoulders with legends at Motown, Lionel Richie can usually be found releasing horrific contemporary dance versions of his old ‘classics’. Having perhaps finally found these routes to be dead ends, Richie’s new pastime is cashing in on crisp commercials, perhaps to woo Robbie Williams into a collaboration. After all, they’ve been ’playing around’ lots…
Three of my favourite gigs by one great man

A snippet of this review features on the PaulMcCartney.com Up & Coming fan reviews section
The first time I experienced a Paul McCartney gig was at Camden’s Roundhouse as part of the Electric Proms. My good friend Mike came along and the unexplainable sense of excitement we shared over a beer beforehand converted into euphoria that took a sick day from work and a good week to calm down from. From the opening of ‘Magical Mystery Tour’ from my favourite album to the violinists during Eleanor Rigby and crowd sing a long of Let It Be, the jigsaw pieces of recollection clouded in a memory simply of delight, sat easily atop my personal chart of greatest ever gigs attended and most enjoyable nights out had.
In the run up to Mike and I’s second outing to experience McCartney, the excitement was incredibly high again. The little concern we had that a venue of London O2’s stature might be too superficial for an artist of such greatness evaporated the moment we entered the arena – perhaps party thanks to the wonderfully quaint touches of incense perfuming the air and food outlets stocking Linda McCartney vegetable burgers. The man came on, the static grids of attendees rose and it happened all over. My voice grew hoarse through huge sing-a-long moments, my eyes watered during Here Today and my party sat glancing at each other in near disbelief and amazement throughout the crowd muting Blackbird. McCartney newcomers Mark and Wesley had one incredible introduction to rock royalty.
When I logged off my computer having secured tickets to my third McCartney outing, I felt a hint of Deja vu; reflecting on the privilege it was to witness such performances, hear utter classics and dance along in the presence of my favourite of all artists. The weeks preceding the day in Hyde Park followed the usual pattern; how little should I listen to my CD collection during the countdown? Could anything top the previous two ecstatic occasions?
Before any clenched fists were raised into the air for Jet, any doubt I had that listening to CDs throughout the few weeks prior would leave the set not feeling fresh or that turning up for my third gig wouldn’t live up to previous dates vanished like all the clouds had from the perfect blue sky of that evening in June. Joined this time by friends Marilu, Hannah and company, we swayed, sang and smiled for three solid hours of incredible moments.
Whilst it’d be silly placing the slices of magic in order of enjoyment, one of the first that comes to mind is that of Hey Jude. In one moment I was laughing to myself out of sheer unknowing of how else I could express satisfaction. In another I had been raised to the shoulders of Mike and Rodrigo, upon which the audience seemed to disappear and make way for a personal one on one moment with the man on stage and me.
The next morning I thought back to the big night and felt the same huge smile that spanned my face the first two mornings after appear again. Text messages and phone calls between the gang I’d attended with helped clear the mist of Macca Mania, empty the ‘best one ever’ envelope and seal a new case file in. Call it a day now and feel lucky for what I’ve seen? Maybe. Until I set my alarm early for the next morning of ticket sales madness. After all, I’ve yet to hear Maybe I’m Amazed live.
Discovering Bowie
I’ve enjoyed Bowie’s music for years and owned the double disc DVD of his Best Of collection for about five. From radio plays during long family drives to my Nan’s house to the occasional music video on TV, he’s always been there on the outskirts of my music radar. I recall my sister getting scared of his role in Labyrinth, a documentary on Linford Christie’s running outfits to a theme tune of Fashion, getting home stoned and tripping out to The Man Who Fell to Earth and reading about Marilyn Manson’s contact lenses tribute during my brief goth phase.
But the artist really catapulted towards the core of my radar this month after a chat with a colleague about how cool the man is. That night I downloaded the CD equivalent of the DVD I’d owned for years and have been immersing myself in the two solid and varied discs every day since, whilst I get dressed for work in the week, stroll over Tower Bridge on my lunch breaks or run the treadmill in the gym.
There are moods for all occasion:
Space Oddity – 101 Hollywood blockbusters and US dramas about extraterrestrials and space later, a strength of this track is it’s ability to challenge the boundaries of imagination, even in the age where everything seems possible, at least when it’s engraved with an Apple logo. A great one to open up the box around your brain in a morning, munching a bowl of corn flakes and bolting a door shut for the day ahead is rarely as inspired.
Modern Love – A happy and bouncy tune that’s ideal for walking out of your office at the end of the day. It’s one of many examples that show how unlike say, Stevie Wonder’s I Just Called To Say I Love You or Paul McCartney’s Give My Regards To Broad Street, Bowie’s 80s output remained current to it’s time without over cheesing it.
China Girl – Another 80s effort that avoids the pitfalls of the decade’s dry drum machines and cold synthesisers thanks to Bowie’s intriguing lyrics and their softly, almost spoken execution, muting the familiar hums of traffic and curry house touts for this number can put a fun, rhythmic, anticipatory and swaggering screen over your walk out to a night of drinks and chatter.
Heroes – When your head’s split in two, you wake up brewing over an argument the night before or have just had a long lay in on a lazy Sunday morning, the goose bumps one listen and welling up eyes of the next that this song can conjure up tells you you’re listening to a pretty special thing. The simplicity of the ostinato, escalating passion and strain of the vocal and statement of the lyric are elements that bread track review acclaims such as ‘life affirming’ and ‘all time classic’.
I’ve always been a little too proud or obsessive to begin exploring an artist’s back catalogue with a greatest hits collection though the Best Of Bowie is a useful tool for an artist of such material and direction. It’s helped me to start digging deeper, from the surprisingly folk collection of his Space Oddity album to the very considered electronic efforts of Low such as Always Crashing In The Same Car.
