On Busta Rhymes.

I first heard Busta Rhymes rap on the soundtrack to a film about Muhammed Ali called When We Were Kings. The track was a Fugees single featuring A Tribe Called Quest, John Forte and the energetic top hat wearing rapper. Around that time, MTV UK ran quality shows for RnB and hiphop fans. There was Trevor Nelson’s The Lick and some great, representative magazine style shows on MTV Base. Later on in an evening’s schedule, MTV US shows like The Lyricist Lounge would be aired and I’d stay up late for my hiphop fix.

A BIORhythm special on Busta introduced me to his live guest spot on Tribe’s Scenario and from then on I was hooked. Dangerous hit the top of the UK charts and was soon followed by a series of creative, high budget videos for inventive, gripping songs.

Busta Rhymes albums captured the imaginations of my friends and I for their running themes of conspiracy theory and comedy interlude. There was always lots of filler but without fail, a good handful of really strong singles showcasing Busta’s incredible flows atop unconventional production that stood out from much else. It’s never mattered that the lyrics aren’t always of a strong theme or story because they’re executed in such a way that distracts, in a good way, from any point they might be trying to make.

When Disaster Strikes was a seamless step forward from his initial solo album The Coming. That first outing followed his many years in the group Leaders Of The New School and somewhat mirrored his collective’s old school, underground sound. Extinction Level Event showcased Busta at his most energetic on the breathless Gimme Some More and relentless Iz They Wildin With Us? As the mid 90s era reigns of Puff Daddy, DMX, Jay Z etc grew to quieter phases, Busta Rhymes released the enjoyable Anarchy and whilst all albums since have included brilliant singles and even more supreme remixes of those, the artist’s relevance and critical acclaim has somewhat declined.

A short lived stint on Dr. Dre’s Aftermath label saw the once incredibly entertaining, light hearted and animated artist take a far more serious turn, rapping the narrative of cocaine deals and hood violence, themes Dr. Dre seems to insist his roster rarely strays from. The colourful videos of multicoloured dream coats were quickly replaced by fast cars, naked women and frowns. Things felt a lot less entertaining, sincere and far more contrived.

2007 saw a quick departure from Aftermath to Universal Motown where Back on My B.S. was released, albeit after many delays and a lot of badly planned marketing activity. Promotional interviews showed glimpses of a reinvigorated Busta speaking of a desire to return hiphop to what it once was. Whilst the sentiment was great, the collection of songs didn’t make a lasting impression on charts or commentators.

Whilst the likes of Puff Daddy have now retired from chart success to enjoy huge Twitter followings and reality TV show stints, Busta has continued to keep one toe dipped in the mainstream. Such is his back catalogue and presence, he’s never ceased to be invited by younger artists to appear on their albums and remixes. Every time he’s accepted the offer, he’s shown he’s not to be messed with, contributing efforts that significantly overshadow any other personality involved.

Back catalogue and jaw dropping guest appearances aside, Busta’s continued to hold relevance and respect because of his close friendships and associations. In recent years he’s worked on several tracks with his close friend, the highly regarded Q-Tip. He’s maintained an interest in up and coming artists such as Papoose who he coached to a $1.5 million debut record deal. Whilst it’s far removed from his once envelope pushing early efforts, he works with big club and charting producers such as David Ghetta and Tiesto.

As with many artists so many albums into their recording careers, it’s unlikely that we’ll hear a Busta Rhymes album with the same impact as his earlier projects. We’re now well exposed to his once original, unheard of style and antics. But you can safely expect, whether he jumps on the latest minimalist drums / auto-tune / arab sample etc trend, that for the forceable future he’ll remain some distance ahead of his peers when it comes to being reliable for a effortlessly delivered range of tongue twisting outings.

Here’s a Spotify playlist of big album highlights and guest appearances void of interludes –

http://open.spotify.com/user/teewright/playlist/7wn2eYsp2YB5nreZQTVlvM

Where I’m @ with location.

A less waffly version of these thought crumbs features on the Outside Line blog

I check in regularly via Foursquare which updates my Twitter feed. I find it a quick and useful way to share somewhere interesting I’ve attended with my real life friends that I chat with via tweets. I favour Foursquare and its automatic updates to Twitter rather than Facebook Places and updates to my profile’s wall because I like the light entertainment of badges and points, find my iPhone’s Facebook app a little unwelcoming and occasionally enjoy browsing Foursquare’s user generated tips.

You wont see me shouting about being at the local takeaway in the early hours or sitting on a park bench, but you’ll find me putting my virtual flag in the digital ground of interesting gigs, museums and great restaurants or bars. When I get back into work after the weekend or catch up in person with friends that follow me online, location has proved to be a catalyst for conversation. ‘I saw you checked out that new bar the other night…’, ‘How was that new band you watched?’ and so on. Cynics will challenge the benefit of that over just starting a conversation from scratch in person and have a point, but they’re also some of the same people who said Facebook status updates would never take off and were pointless because people like being private and wont feel inclined to broadcast their thoughts.

Ultimately, social media activity’s often about showing off. People using location treat it as another outlet to present themselves through in a way they’d like to be seen. I want people to see that I went to a Rakim show this month so they associate me a little more with decent, historic rap music and knowledge. So I checked in at the gig. I don’t want people to know I munched through an all you can eat buffet at Pizza Hut because I’’m a bit ashamed and would rather people not know I’m unhealthy and live off grease from time to time. So the phone stayed in my pocket.

In terms of what location can offer brands, I think this will increase with time and new developments in tools and functionality. At the moment, location’s a fairly separate aspect to social media activity, homed in its entirety on a lone platform (Foursquare) or a little hidden in iPhone app tabs and busy news feeds (Facebook Places). If Facebook were to put a leader board at the top of every user’s profile page showing the places they’ve visited the most or most recently, there would suddenly be a permanent, prominent place for a brand’s name to be championed to a user’s private network. I think that’s when critical mass will pick up location more and people’s inclination to check in at locations will increase. Then brands can start promoting themselves to more people at a louder volume.

Twitter feature to provide birds eye view

Here’s a video by Twitter about their new photo, video and hash tag features.

It looks like you wont be seeing the likes of yfrog and twitpic for much longer. Rejoice!

You’ll soon be able to attach an image or video to your tweet directly from Twitter.com without the involvement of an external site. This will soon be possible from phone apps too.

There’ll be top video and top photos on the right hand column and you’ll be able to see a gallery of sorts on top of tweet stacks when you explore a hash tag.

Users will own the photos and video they upload.

It’ll be interesting to see how brands might use this;

  • Photo and video competitions and campaigns,
  • Aggregators of multimedia content around a particular event, topic or theme.

More information’s available at Twitter and Mashable.

Spirit levels.

In 2006 I began work as Site Editor for a large online gambling company in the UK. It was a great company to join at the age of 22 for my first serious job. The number of free parties and streams of booze from countless open bars were a great kick in the arse to make new friends and move from my parent’s house in High Barnet to Central London. I also gained a wealth of work experience.

For a year I lived with close friends I met on the job. We slept very little, instead raving around the clock in London’s clubs, parks, house parties and pubs. It was a wonderful exercise in liberation from my very quiet, rarely social life at the end of the Northern Line. Then the fish bowl set up of working, partying and living with the same small set of friends gradually became tiring and claustrophobic. My attendance at parties became infrequent and simultaneously, my closer friend of the bunch and I took to reading about meditation, attending lectures and classes rooted in spirituality. We’d later pretentiously refer to these activities as part of a path.

The superficiality and insincerity of forced smiles and laughs at managerial bar banter to win favour come bonus time felt empty. Our investigations were fulfilling and snowballed rapidly after a traumatic Halloween themed night at Farringdon’s Turnmills night club. Both worse for wear, we spent hours in the staff cloakroom whilst a medic tried pulling my friend out of a Ketamine and Ecstasy induced hole. Defibrillators were on hand incase his heart beat got any faster than the double speed it was working at and came to a stop. We were eventually able to catch a black cab home after he’d woken out of his unresponsive state of inaudible chants. We sat sobbing on my bed, still in our white boiler suit costumes, listening to All You Need Is Love by The Beatles on repeat. The face paint of a David Bowie zig zag was smudged down my face. It was like something straight out of a Hollyoaks special.

Withdrawing further from partying, I took a course in Tibetan buddhism at Kennington’s Jamyang Centre, attended talks at London’s Buddhism Society, practiced lots of yoga and did several detoxes. Meanwhile, my friend had heard on the holistic scene about a lady who used an electric drill like device to vibrate your upper spine behind the neck. This was done so fiercely that it changed the angle of a particular vertebrae, apparently sloped inwards due to alien contact with Earth… Once corrected, the lady claimed patients would have a straighter, more direct route for energy to burst past the third eye chakra to the crown chakra. These were two points said to be prominent locations for spiritual energy in ones body. It sounded farfetched and over the top to me but he got it done. He wasn’t boasting about how much he’d drunk the night before anymore, but still had claims of extremity, just at a different end of the scale.

In early 2007, I got a bonus and travelled India for three weeks, visiting various landmarks of Buddhism. I guess I played mates with the bosses just enough. I did lots of Yoga, read books on Buddhist scripture and attended a week of classes led by the Dalai Lama at the foot of the Himalayas. Whilst in Rishikesh, I often jumped the wall of an abandoned Maharashi Mahesh ashram made famous by The Beatles, to wander around all day writing poetry. The site was full of monkeys, completely silent, colourful with wild bushes of flowers and contained many dozens of crumbled lecture halls and homes. It was incredible, providing me with more genuine peacefulness than, as just one example, a two day intensive course on practicing Reiki that culminated in panting on my knees in a dark mountain hut whilst the teacher dropped loose grapes he’d blessed onto my head, countering my every outward breath with a musical groan. It was half a day into the course, not years of hindsight, when I began doubting the teacher’s authenticity.

Returning to the UK, copywriting to encourage single mums to gamble online didn’t sit well with my newly found, calm and relaxed outlook. I handed in my notice before having a new job to start but luckily moved quickly into a role for an international charity, leading their digital fundraising. At separate times, my friend and I attended a course of 10 weeks in East Dulwich by a South African lady who called herself an energy worker. She’d spend the first half of a session talking with you as if a traditional therapist. The second half of a session involved you laying on a glorified ironing board in a corpse position whilst she made deep breathing noises and whizzed her fingers around in circles above your crutch which she said released energy blockages from your childhood. It was like a frantic form of Reiki.

Those sessions, though somewhat absurd, were pretty useful for me, providing somewhere I could privately discuss my homosexuality and work on telling others about it publicly, something I’d put off for years. They kept me busy for some time. Around the same time, my friend had started reading about Kundalini energy and speaking with a lady in America who called herself a guru to a wide following she communicated with via a Yahoo Group and Youtube channel. I guess the casual nature of the sessions in a quiet suburban house in South London was a bit too pedestrian for his liking.

Before long my friend quit the gambling company job too, took a flight to Seatle and returned with his head shaven and a desire to be called after a character in Indian mythology. Our lease ended, I moved into a new house share and he travelled back to the US to spend more time with the lady. Mutual friends would ring me up, alarmed and confused by the upload of many online videos showing him being unable to speak or focus his eyes; apparently two reactions to Kundalini awakenings. At the time I loyally stuck by my friend who I didn’t want to think of as in trouble or under the influence of someone, so believed the every word of.

Eager to remain close friends with the guy who helped me catch up on the fun that not leaving home to complete my degree robbed me of, I joined the online group. I followed its leader’s online lessons, downloaded her chanting to fall asleep to, maintained the energy diary she required me to keep and kept speaking with my friend via Skype. I also began a relationship. That brought with it more drinking than I’d been doing in a while and lots more social interaction. Gradually my focus on spirituality started fading as I got to know a new group of fun, friendly and balanced people.

After a short time, that relationship came to an end, coinciding with a three week holiday in Kenya I funded with more bonus money from the gambling world. The trip was just after political upheaval in the country and so there were very few people at backpacker hostels to speak to. Besides some amazing sights, the trip is filed in my memory under ‘solitude’ and ‘loneliness’. On my return, my old friend was sleeping on the sofa of my flat which I shared with a mutual friend. I was incredibly happy. I’d got through the dull trip and the person that knew me best was around to help me deal with the heart ache. Only, it wasn’t my best friend. It was an unrecognisable person. On top of breaking up with a fling that seemed a lot more at the time than it was, I also had to deal with the drastic change in my closest friend. He took a matter of fact approach to my moping, dismissing my situation as trivial and not worthy of the attention I gave it. My sense of solitude amplified.

Eventually he moved from my sofa back to his parents which acted as a base for him to become a deputy leader at the online group. He got in touch with friends less and less, travelled various parts of the world to talk to people about his apparent awakening and eventually disappeared. He expressed happiness throughout rare correspondence though as I got over the departure of someone I was very impressionable of, I wondered if it was his trademark stubbornness talking, trying to save him face as he began realising he’d gone too far down his chosen ‘path’ for his own good. He was always incredibly energetic, sociable and adventurous. Surely a life in the lotus position with eyes closed couldn’t contain that for long.

It wasn’t long before I got blocked out of the online group for not maintaining my energy diary, or perhaps not paying its leader a percentage of my wage. My friend had provided her with a widescreen monitor for her computer so was more than in favour. My resentment towards the group had been building with each message board post by people from all corners of the world, hanging on to the leader’s every word. A series of clips were added to her Youtube channel in which new group members of a similar age to my friend, were shaving their heads, deleting their Facebook and e-mail accounts, quitting their jobs and moving away from their families and friends. It was sad to think of those individuals’ best friends and families perhaps experiencing the abandonment I felt of someone they were very fond of or admired.

A group that’s meant to be based in positivity and truth, I thought, couldn’t be a group that transforms a very charismatic, friendly and entertaining young man into an unrecognisable person who’s hard to spend time with and who’s ‘everything is merely energy’ perspective doesn’t allow for friendly small talk, be it about a favourite band’s new release or an attractive new acquaintance, as would routinely be discussed each evening over a beer or in front of the television. Being able to sit in silence with your close friends and families is a healthy practice. Not saying a word at all and sitting sedately staring, much less so.

Another gripe I had with the group was that for a set of people claiming to be distancing themselves from ego and a sense of self, they talked about their selves an awful lot. On his brief return to the UK, my friend spoke of nothing more than his journey and the change he’d undergone. He superiorly contrasted his actions with those of acquaintances still enjoying a harmless pint, smoke, dance or lover. The group leader regularly referred to her past, how hard her struggle was, what a challenge she had overcome and how incredible her life now was. With every ‘I don’t do that because that’s attachment and I am not attached’ and ‘I think that’s not the way. I choose this route’ I heard, the more hypocrisy I felt. I heard ‘I’ more than an optician. Life’s detail and drama didn’t seem abandoned so much as reconfigured into a viewpoint of self importance, elitism and worth. The more their outlook was discussed with conviction, the more group members seemed to be trying to convince themselves, dismissing any counterargument like a child in a back and forth playground fight who covers their ears and starts shouting nonsense because they’re at a loss and can’t respond to a challenge intelligently.

During one of my last exchanges of emails with my friend before his responses altogether stopped, he alluded to his falling out with the group’s leader. For a while he had been spending long lengths of time at homes of her followers around the world. He would offer what he called energy work and guidance in following the practices she promoted as steps towards enlightenment, which he had apparently followed and reached. When I pressed him on why he had left her group, he wouldn’t provide detail but mentioned that there had been a conflict with authority. They had disagreed on how to go about teaching their audience. I couldn’t help but speculate that she felt there was only room for one leader of influence in her group and felt threatened. Power hungry and dictatorially, she probably wanted the head seat and all the adulation and blessings (cash or electronic gifts) solely for herself.

My dismissal of the group and the extreme nature in which it endorsed detachment from day to day details such as fondness towards objects, activities and place, arguments with loved ones or issues at work wasn’t instant. I often questioned if my discomfort with the group was my mind desperately trying to cling on to attachment and forever put obstacles to enlightenment in my course. I wondered if the situation of losing a friend and not having their support was the very manifested mind drama the group said it promoted the avoidance of. To a degree it was, but whilst prolonging mental turmoil seems unhealthy, so too does denying that life is life and with it comes circumstance. I eventually settled on the middle path between two routes that the early introductory books on Buddhism explained way before my stock cupboard of incense and cannon of pub anecdotes got built.

Whilst strange recollections like that of two hour sessions in church halls, on my knees in a queue to look into the eyes of an old Indian lady called Mother Meera for a zap of what her followers claimed to be divine energy amuse me, my short time sitting in circles holding hands, eating Eckhart Tolle books for breakfast, giving away my possessions to charity shops and fasting provides many positive reflections all this time on. I bumped into some lovely people at meditation classes, got more honest about myself to family members, reigned in a very fiery temper and built up much needed self-confidence. When something goes wrong, I’m usually able to put it calmly into perspective in a healthy manner and strike a day to day balance between the recklessness of a nihilistic attitude and indulgence or the debauchery of those early dances of the night.

Whilst it’s great my friend didn’t carry down the route he was going, coughing up blood every morning, skipping nights of sleep and overdosing on drugs, it’s a shame and a waste that he’s isolated from friends and family and only has real company in an ego he’s apparently shed. It’s a blessing that I’m of a fulfilling career and social life. And it’s a fine line between taking incredibly valuable, beneficial lessons or advice from spirituality and taking what you come to understand so literally you entirely self destruct, and that’s not in the enlightened sense.

My Brain On Music

My friend Jenny recently lent me a book called ’This Is Your Brain On Music’ by Daniel Levitan. Whilst I haven’t got round to finishing it, the bits I’ve read are great, putting some science behind what I love.

BBC Lab’s How Musical Are You? does something similar, asking you a series of questions, some with audio, for around half an hour. At the end you get a bunch of results as to how keen you are on music, how daring with it you get and if you’re likely to cry listening to an Anthony and The Johnsons song or not.

For some reason this great tool doesn’t have any share functionality which will disappoint the wealth of internet users out there that love nothing more than to show off about their musical tastes and how great their knowledge is. Luckily my ego knows how to make screenshots of webpages, so here are my results:


Enthusiasm for music – 90%
Music perception – 83%
Emotional connection – 76%
Social creativity – 40%
Musical curiosity – 49%

How well can you tap in time to Lady Gaga? Would you hear the difference if Barry White had been castrated? Find out here.

Just another ‘I heart Lomography’ post

As a leaving present from my last workplace I was given a Diana Mini. I’d seen the Lomography style of photography before but didn’t know anything about the camera and story behind it. Delighted with my new retro chic toy, I sat with Emma DB excitedly loading my first film into the device. A whizz through of the gift box’s delightful Shoot Forever booklet later, I was on my way, snapping through a film that I’d read could deliver up to 72 shots.

As I’m sure everyone who owns a Diana initially experiences, the lack of a digital display initially had my technology addicted mind somewhat thrown. How do I know what i’m taking’s like? Can you not delete the bad ones before the house party ends and pose cooly ahead of instant Facebook uploads? After a couple of outings and a further read up on what the small, blue object can do, my questions moved away from those of a digital junkie and towards that of an analogue advocate.

The beauty of the Diana Mini that I have come to love is the element of surprise in not knowing what you’ve got until the lady at Sainsbury’s photo counter passes you your prints. The lack of batteries required, the mechanical clicks of rotating the film on, the high pitch buzz of the flash bulb warming up and the numerous options available ahead of the shot has me wanting the camera on me everywhere I go.

Numerous blogs and a guy at my new workplace alluded to the potential disappointment of somebody’s first Lomography film’s development but I’m fairly happy with what I got back. Granted, in many instances I’ve gone absolutely overboard with multiple exposures on one frame. I’ve also been tinting the flash bulb with colour sheets way too much and haven’t mastered focus options at all. Luckily though, the leaving treat came with a good three films to try stuff out with. In one wonderful gift, photos have gone from a cheap, predictable, overly staged, instant and filtered commodity to one of surprise and possibility.

Wyclef Jean’s Musical Manifesto

When he’s not making genuine and humble bids to become President of Haiti, however laughable that sounds if you’re not familiar with his work there, Wyclef Jean’s busy living out of a guitar case making music that varies from record breaking singles to mix tape obscurities.

Having cemented his name in the history books as the figurehead of the world’s biggest hip-hop group of all time, The Fugees, Jean has gone on to release almost as many solo and collaborative projects as his ex partners in hits making Lauryn Hill and Pras have recorded non Fugees songs.

It would be a lie to paint Jean as a faultless artist. His discography is littered by collaborations with wrestling stars and members of 1990s British boy bands. There are tracks that murder, if not shamelessly mimic, the classics of legends, as well as  over-kill songs of screeching indulgence. For those, the mainstream has turned its back, uninterested in the artist unless his group’s early tracks are remixed into a club’s set. Critics barely bother paying any attention at all.

But whilst commercial success and intrigue has stalled as dramatically as Lauryn Hill’s state of mind, Jean has quietly released regular albums showing much growth in his skills as a musician and producer and approach as a lyricist. Gone are the days of the man clearly feeling the expectation to continually elevate from one gimmicky big hit to another (think It Doesn’t Matter or Pussy Cat). Gone too are hints of confusion in the artist as to where he fits in, such as the trend jumping hijacking on Thug Angels or the pleas for credibility within the hip-hop community that made him such as on The PJs.

Jean has pretty much dropped rapping (in English, his second language), rarely puts out studio covers of rock gems anymore and instead has carved out a varied approach of storytelling, life celebrating, society documenting efforts delivered in a conversational, at peace with itself delivery that sits somewhere between lazy rapping and introverted singing. There are songs about child support, lack of community, road safety and place. Others launch an offensive to get listeners educated on genres outside of hip-hop and pop or simply to have listeners up on their feet having fun.

Hobbies of a has been.

When he’s not making a living on UK television chat shows, pretending to be a great by reeling off anecdotes about brushing shoulders with legends at Motown, Lionel Richie can usually be found releasing horrific contemporary dance versions of his old ‘classics’. Having perhaps finally found these routes to be dead ends, Richie’s new pastime is cashing in on crisp commercials, perhaps to woo Robbie Williams into a collaboration. After all, they’ve been ’playing around’ lots…

International Army of the Brain Dead Presenter

It’s a terrifying thought that every Britain’s Got Talent spin off around the world casts its own Ant & Dec clowns on the side of the stage making retarded facial expressions of ‘surprise’ and ‘amazement’. Not only does Simon Cowell rape the music industry’s dead corpse, he’s breading an international army of brain dead TV presenters. On the plus side, I appear to have mastered Hindi in 6 minutes and understood every Gujarat version of ‘I want this 110%’, ‘Dream come true’, ‘More than anything’ and ‘To get this far, it means the world’.

Airborne thoughts.

  • Establish elbow ownership of the arm rests before taking off. It’s near impossible to regain ground.
  • Don’t watch Chariots Of Fire on the in flight movie system. You’ll feel inspired to run and there’s nowhere to go.
  • The man with no shoes and socks who used a near flooded toilet before you was up to something. Tread carefully.
  • Whether you’re a Woody Allen fan or not, you’ll want to sleep. Just don’t expect to.
  • Closed eyes means ‘peanuts, please!’ to flight assistants. A blanket signifies a three course meal distributed more tiresomely than Matrix Reloaded and Revolution.
  • Post Orgasmic Chill by Skunk Anansie is superb. Where have all the bald women gone? Even Gail Porter’s back to fluff.
  • Try your best to ignore the family of holiday makers in front, counting down to returning home for a ‘real English curry’ having spent a fortnight beside a pool in Thailand.
  • No, you’ll probably never laugh so much at Friends again, until your next 15 hours overdose of recycled air.
  • When you see that same bare footed guy on your next trip to the toilet and the floor’s in a much worse state, tread even more carefully.
  • I know, just take a deep breath and let them do what they do. Hand luggage and ‘stay in your seat’ means different things to different people.

Three of my favourite gigs by one great man

A snippet of this review features on  the PaulMcCartney.com Up & Coming fan reviews section

The first time I experienced a Paul McCartney gig was at Camden’s Roundhouse as part of the Electric Proms. My good friend Mike came along and the unexplainable sense of excitement we shared over a beer beforehand converted into euphoria that took a sick day from work and a good week to calm down from. From the opening of ‘Magical Mystery Tour’ from my favourite album to the violinists during Eleanor Rigby and crowd sing a long of Let It Be, the jigsaw pieces of recollection clouded in a memory simply of delight, sat easily atop my personal chart of greatest ever gigs attended and most enjoyable nights out had.

In the run up to Mike and I’s second outing to experience McCartney, the excitement was incredibly high again. The little concern we had that a venue of London O2’s stature might be too superficial for an artist of such greatness evaporated the moment we entered the arena – perhaps party thanks to the wonderfully quaint touches of incense perfuming the air and food outlets stocking Linda McCartney vegetable burgers. The man came on, the static grids of attendees rose and it happened all over. My voice grew hoarse through huge sing-a-long moments, my eyes watered during Here Today and my party sat glancing at each other in near disbelief and amazement throughout the crowd muting Blackbird. McCartney newcomers Mark and Wesley had one incredible introduction to rock royalty.

When I logged off my computer having secured tickets to my third McCartney outing, I felt a hint of Deja vu; reflecting on the privilege it was to witness such performances, hear utter classics and dance along in the presence of my favourite of all artists. The weeks preceding the day in Hyde Park followed the usual pattern; how little should I listen to my CD collection during the countdown? Could anything top the previous two ecstatic occasions?

Before any clenched fists were raised into the air for Jet, any doubt I had that listening to CDs throughout the few weeks prior would leave the set not feeling fresh or that turning up for my third gig wouldn’t live up to previous dates vanished like all the clouds had from the perfect blue sky of that evening in June. Joined this time by friends Marilu, Hannah and company, we swayed, sang and smiled for three solid hours of incredible moments.

Whilst it’d be silly placing the slices of magic in order of enjoyment, one of the first that comes to mind is that of Hey Jude. In one moment I was laughing to myself out of sheer unknowing of how else I could express satisfaction. In another I had been raised to the shoulders of Mike and Rodrigo, upon which the audience seemed to disappear and make way for a personal one on one moment with the man on stage and me.

The next morning I thought back to the big night and felt the same huge smile that spanned my face the first two mornings after appear again. Text messages and phone calls between the gang I’d attended with helped clear the mist of Macca Mania, empty the ‘best one ever’ envelope and seal a new case file in. Call it a day now and feel lucky for what I’ve seen? Maybe. Until I set my alarm early for the next morning of ticket sales madness. After all, I’ve yet to hear Maybe I’m Amazed live.

Discovering Bowie

I’ve enjoyed Bowie’s music for years and owned the double disc DVD of his Best Of collection for about five. From radio plays during long family drives to my Nan’s house to the occasional music video on TV, he’s always been there on the outskirts of my music radar. I recall my sister getting scared of his role in Labyrinth, a documentary on Linford Christie’s running outfits to a theme tune of Fashion, getting home stoned and tripping out to The Man Who Fell to Earth and reading about Marilyn Manson’s contact lenses tribute during my brief goth phase.

But the artist really catapulted towards the core of my radar this month after a chat with a colleague about how cool the man is. That night I downloaded the CD equivalent of the DVD I’d owned for years and have been immersing myself in the two solid and varied discs every day since, whilst I get dressed for work in the week, stroll over Tower Bridge on my lunch breaks or run the treadmill in the gym.

There are moods for all occasion:

Space Oddity – 101 Hollywood blockbusters and US dramas about extraterrestrials and space later, a strength of this track is it’s ability to challenge the boundaries of imagination, even in the age where everything seems possible, at least when it’s engraved with an Apple logo. A great one to open up the box around your brain in a morning, munching a bowl of corn flakes and bolting a door shut for the day ahead is rarely as inspired.

Modern Love – A happy and bouncy tune that’s ideal for walking out of your office at the end of the day. It’s one of many examples that show how unlike say, Stevie Wonder’s I Just Called To Say I Love You or Paul McCartney’s Give My Regards To Broad Street, Bowie’s 80s output remained current to it’s time without over cheesing it.

China Girl – Another 80s effort that avoids the pitfalls of the decade’s dry drum machines and cold synthesisers thanks to Bowie’s intriguing lyrics and their softly, almost spoken execution, muting the familiar hums of traffic and curry house touts for this number can put a fun, rhythmic, anticipatory and swaggering screen over your walk out to a night of drinks and chatter.

Heroes – When your head’s split in two, you wake up brewing over an argument the night before or have just had a long lay in on a lazy Sunday morning, the goose bumps one listen and welling up eyes of the next that this song can conjure up tells you you’re listening to a pretty special thing. The simplicity of the ostinato, escalating passion and strain of the vocal and statement of the lyric are elements that bread track review acclaims such as ‘life affirming’ and ‘all time classic’.

I’ve always been a little too proud or obsessive to begin exploring an artist’s back catalogue with a greatest hits collection though the Best Of Bowie is a useful tool for an artist of such material and direction. It’s helped me to start digging deeper, from the surprisingly folk collection of his Space Oddity album to the very considered electronic efforts of Low such as Always Crashing In The Same Car.

Digital dreams.

In the first house I lived in we had a video games console that we fed cassette tapes. An educational puzzle game would blink on to the big, bulky TV set’s screen. An Uncle twice my age would set up his childhood console when I visited him at my Nan’s house. It was even more basic. He sat with a pamphlet and inputted code for half an hour before I could play a black and white Ping Pong game that entertained me for hours.

A year or so later, friends were starting to talk about the Sega Megadrive. I’d have a play if I was at theirs for tea but I got more satisfaction out of my Dad’s Commodore Amiga. The way a little green character named Super Frog bounced through medieval, Egyptian, circus and space levels to an upbeat soundtrack was mesmerising, and very gay. The stern bitmap image of a floppy disc on the screen was an exciting event for my sister and I, signifying our success in completing another world of the game and having to enter a new disk.

The Amiga stuck around with us whilst we lived in another house. Friends at this point were bringing Gameboys into the playground, raving about Sonic The Hedgehog and role playing the Mario brothers in school assemblies. I remember one afternoon at school, being sent by the teacher to the classroom next door for the code to access a level of Lemmings that my friends and I couldn’t reach.

The pace, noise and colour overload of more progressive gaming options took a while for me to come around to. I remained content flicking through a chest of pirated floppies my Dad had copied from a friend at work. Lemmings was often in the mix, many a Sunday afternoon would be spent on Street Fighter 2 and once I received a midi compatible Yamaha keyboard for a birthday (the PSS 590 – it still sounds great), I had it wired up to sequence bits of music I could never develop for lack of not having a hard drive or understanding what it was to save. After hours or blocking out squares on a grid and looping sounds together, I powered off and watched my efforts get zapped to the middle of the screen before it went pitch black and fizzed with static that you never hear from modern monitor.

By the time I started secondary school, a weekly IT class was the norm. Windows 95 had changed the world and after some reluctance and no doubt saving, my parents bought the family its first home computer. The Compaq Presario ran on Windows 95 but welcomed users first, to a virtual shopping mall. One shop front would take you to a desktop and start button that confused us for a good couple of months and the other would launch a horrid Compaq impersonation of Microsoft Office. Whilst you ‘stood in the mall’ a horrific recording looped on the virtual Tannoy. ‘Welcome to Compaq Presario Plaza. We hope you enjoy your stay. Where do you want to go?’ would be considered an abstract joke if sold nowadays to a world addicted to smooth user journeys and simplicity.

On that first PC, before months of my life were consumed playing strategy games such as Theme Park and Command and Conquer, filling the entire 2D square of Sim City with buildings was my main focus. A friend came to visit one Saturday and we managed to not leave one pixel of the game’s map uncovered by road, commercial or residential blocks. My Mum wasn’t best pleased with two young kids spending their whole day in a dark, curtained room and we were put on our bikes and sent for a cycle around the block. All we talked about together was what area of the map we’d bulldoze to redevelop. We were obsessed. Just as we were coming back down my road, the friend imagined. ‘It’d be amazing if someone was playing the exact game at the exact time, somewhere else in the world. We could join our cities up!’

600 floppy discs, a Discman, several mini Alba bedroom HiFi systems, trips to central London with friends to play shoot ’em up games across LAN networks in gaming cafes and an old Nokia mobile phone just about able to handle a game of Snakes later, things are obviously rather different. And that’s the true beauty of technology.

It’s come along way and has a limitless way to go. When I took the hour long bus journey home from school I carried a rucksack filled with 5 separate CDs and spent most of the trip swapping them back and forth to hear one song from here and one there. I never dreamt of a wallet size piece of plastic whizzing my record collection of 10,000 tracks up to my ears whilst I sat on a train, booked on a website using a phone that could film, edit and distribute the journey to the entire world in minutes. Technology takes the unimaginable and destroys it with creation.

Headphones, snapped.

‘It’s peculiar and unnerving in a way to see so many young people walking around with cell phones and iPods in their ears and so wrapped up in media and video games. It robs them of their self-identity. It’s a shame to see them so tuned out to real life.’ – Robert Zimmerman.

Technological Penmanship; faster, harder, better.

A Twitter feed and blog is a writer’s friend as it promotes opinion over perspective. It allows an author the liberation from weekly newspaper columns where they’d have to stick to one specialist subject or the categorised fanzine focused on a particular theme.

The Twitter and blogging sphere allows writers with variety, to drift from a poem about their goldfish to a warzone commentary or curry house reviews, enabling the masses not to tune in to topic but subscribe to tone of tongue.

Operating loosely throughout this publishing landscape, a writer’s mandate is to produce gripping sequences of a consistent standard, challenging themselves, evolving their craft to greater heights and providing a stronger service to their audiences.